Emily, the eldest daughter, was a woman of twenty-six, who commanded,
rather than attracted, admiration. She was of admirable proportions,
easy and regal carriage, with a fine head well poised on magnificent
shoulders. As to her face--well, I cannot describe it better than did
the eminent artist Gaston de Castilla, who was requested to paint her
portrait. "Madam," said he, to her mother, "I do not like to undertake
your commission. Your daughter has one of those marvellous faces which
defies art. Every feature is a departure from recognized standards, and
yet the result is nobility and beauty of the highest type. Only Nature
herself can produce such effects. Through an imperfect countenance she
sheds the rays of an illumined soul, till all faults are obliterated,
forgotten. We poor artists cannot hope to supply on our cold canvas what
so singular a face must have, to make it beautiful." Nevertheless, he
did paint the portrait, the one which the detective had seen in Mr.
Mitchel's room, and he had succeeded at least in suggesting the
marvellous effects of character, revealing itself through the features.
Other painters had failed, perhaps because they appreciated less than he
what they attempted.
This description also gives a hint of the woman herself. A combination
of all the softer emotional elements, she dominated self and others by a
supreme will. She was rarely disobeyed by suitor or by servant. That she
had engaged herself to marry Mr. Mitchel had surprised the entire circle
within which she moved, and yet perhaps the secret of his success lay in
the simple fact that he had had the courage to ask for her, and to do so
in a loving but masterful way which plainly showed that he anticipated
no refusal or coy hesitancy. His wooing had been of an impetuous
whirlwind kind, and he was affianced to her within a month of their
acquaintance.
It was this fact which had caused the most comment. Mr. Mitchel moved in
good society, but he was a newcomer, and now that he had captured the
prize of the matrimonial market, all where asking "Who is he?" a
question which none seemed able to answer. He was a Southerner and that
single fact had shed about him a halo of attractive light which had
blinded the eyes of those who feebly attempted to look deeper.
Mrs. Remsen had protested when Emily announced her engagement, but Emily
had replied, "Mother, I have given my word," and the discussion was
ended. A few moments later she had affectionately seated herself at her
mother's feet, and after tenderly kissing her, whispered "I love him. He
is my king," and then buried her head in her parent's lap. Few women
argue against an appeal of that nature. Thus Emily and Mr. Mitchel
became engaged, after which he came and went much as though he were the
master of the house. Why not, since he had become the master of its
mistress?
Public-domain text, read in full here on John Shaqi.
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