An Attempt to Explain the Origin and Meaning of the Early Interlaced Ornamentation Found on the Sculptured Stones of Scotland, Ireland, and the Isle of ManFrench, Gilbert J. (Gilbert James)
History
An Attempt to Explain the Origin and Meaning of the Early Interlaced Ornamentation Found on the Sculptured Stones of Scotland, Ireland, and the Isle of Man
French, Gilbert J. (Gilbert James)
Decoration and ornament, Celtic; Great Britain -- Antiquities
The earliest authentic records of Britain refer to its inhabitants as
expert basket makers; their houses were made of willows and reeds; their
fences and fortifications were living trees, with intertwisted branches;
their boats were baskets, covered with skins; their domestic furniture,
defensive armour, even the images employed in their erroneous religion,
were each of wicker-work; and though we have no absolute proof that
such was the case, it is at least probable that those famous chariots
so formidable to the Roman invaders were similarly constructed, for it
appears altogether impossible that the feats recorded of these celebrated
charioteers could have been performed with carriages of wood and iron;
though if we can suppose them to have been of small size, constructed
of elastic wicker-work, and placed upon low wheels, the accounts of
their marvellous movements become reasonable, and within the bounds of
credibility.
The monastic historians of the succeeding ages continue to mention
wicker-work as the principal architectural material used in Britain and
Ireland, not only for the rude dwellings of the inhabitants, but also
for their more important public edifices and churches. Thus we find
that so late as the sixth century Dermot MacKervel assisted “the Abbot
St. Keyran to make a house to dwell in” by “thrusting down the peirs or
wattles” of which it was made.[5] The monastery founded by St. Columba
in the same century, though of much theological repute, must have had
little material grandeur, as it is known that the great apostle of the
Scots “sent forth his monks to gather twigs to build their hospice,”
and the abode of St. Woloc, a bishop of the same age, was “a simple hut
of wattles.” Glastonbury, supposed to have been the earliest Christian
church in England, was, on the authority of William of Malmesbury,[6] “a
mean structure of wattle-work;” and there are numerous other references
to churches and monasteries constructed altogether or in part of the same
material. Vestiges of such structures are now occasionally met with,
which verify the records of the Roman and Mediæval historians. Recently,
on the Etive in Argyleshire, the progress of agricultural improvement has
uncovered rough pavements of stone, bearing marks of fire strewed with
charred ashes, surrounded with the remains of hazel stakes, the relics of
the frame-work of ancient Caledonian hearths, which have been concealed
for centuries under a cover of eight or ten feet of moss.[7]
Public-domain text, read in full here on John Shaqi.
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