Clearly they were not of stone, since we know that even after the Romans left England the natives had not sufficient skill to build a wall of that material; nor have we any reason to believe that they had the ability or the tools requisite for the construction of a cross of timber, which would demand the use of cutting instruments with finer edges than those necessary for stone. Under these circumstances it is only natural that the British convert would dedicate to the glory of God the products of that talent which had acquired for him a continental celebrity. The basket-work, so prized at Rome, was the most valuable oblation that the pious ancient Briton could offer to the services of his new religion, and thus it was that the first emblems of Christianity erected in England were (almost necessarily) constructed of basket-work. The perishable nature of the materials forbids us to expect almost any other than inferential evidence that crosses of basket-work ever existed, but happily this is not denied to us. A careful examination of the admirable engravings of the sculptured stones of Scotland, the ancient Irish crosses, and the curious monumental remains of the Isle of Man, together with many existing carved crosses in England and Wales, cannot fail to convince any unprejudiced observer that the beautiful interlaced ornamentation so lavishly employed on these sculptures derived its origin from the earlier decorations of that British basket-work which the Romans had learned to value and admire. Before attempting to describe the method by which such crosses may be, and probably were constructed, I beg to call attention to the fact that basket-work and the earlier Pagan or Druidical religion were closely connected. Cæsar, writing of the Druids, states that “they have images of enormous size, the limbs of which, formed of wicker-work, they fill with living men, which being set on fire, the men perish enveloped in flames[18];” and Strabo says, “having prepared a Colossus of hay and thrown wood upon it, they burn together oxen, all sorts of wild beasts, and men.[19]” It has been assumed that these wicker-work images were in the human form, but I apprehend that there is nothing in either text to warrant this conclusion. The word colossus implies a figure of large size, which may quite as probably have been that of some enormous animal.