An Eagle Flight: A Filipino Novel Adapted from Noli Me TangereRizal, José
History
An Eagle Flight: A Filipino Novel Adapted from Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
"Senores," said he in a tone of authority, "you should not confuse
things, nor seek offence where there is none intended. We must
distinguish in the words of Father Damaso those of the man from those
of the priest. The latter per se can never offend, because they are
infallible. In the words of the man, a sub-distinction must be made,
into those said ab irato, those said ex ore, but not in corde, and
those said in corde. It is these last only that can offend, and even
then everything depends. If they were not premeditated in mente,
but simply arose per accidens in the heat of the conversation----"
At this interesting point there joined the group an old Spaniard,
gentle and inoffensive of aspect. He was lame, and leaned on
the arm of an old native woman, smothered in curls and frizzes,
preposterously powdered, and in European dress. With relief every
one turned to salute them. It was Doctor de Espadana and his wife,
the Doctora Dona Victorina. The atmosphere cleared.
"Which, Senor Laruja, is the master of the house?" asked the young
provincial. "I haven't been presented."
"They say he has gone out."
"No presentations are necessary here," said Brother Damaso; "Santiago
is a good fellow."
Er hat das Pulfer nicht erfunden. "He didn't invent gunpowder,"
added Laruja.
"What, you too, Senor de Laruja?" said Dona Victorina over her
fan. "How could the poor man have invented gunpowder when, if what
they say is true, the Chinese made it centuries ago?"
"The Chinese? 'Twas a Franciscan who invented it," said Brother Damaso.
"A Franciscan, no doubt; he must have been a missionary to China,"
said the Senora, not disposed to abandon her idea.
"Who is this with Santiago?" asked the lieutenant. Every one looked
toward the door, where two men had just entered. They came up to the
group around the table.
II.
CRISOSTOMO IBARRA.
One was the original of the portrait in oil, and he led by the hand
a young man in deep black. "Good evening, senores; good evening,
fathers," said Captain Tiago, kissing the hands of the priests,
"I have the honor of presenting to you Don Crisostomo Ibarra."
At the name of Ibarra there were smothered exclamations. The
lieutenant, forgetting to salute the master of the house, surveyed
the young man from head to foot. Brother Damaso seemed petrified. The
arrival was evidently unexpected. Senor Ibarra exchanged the usual
phrases with members of the group. Nothing marked him from other guests
save his black attire. His fine height, his manner, his movements,
denoted sane and vigorous youth. His face, frank and engaging, of a
rich brown, and lightly furrowed--trace of Spanish blood--was rosy
from a sojourn in the north.
"Ah!" he cried, surprised and delighted, "my father's old friend,
Brother Damaso!"
All eyes turned toward the Franciscan, who did not stir.
"Pardon," said Ibarra, puzzled. "I am mistaken."
"You are not mistaken," said the priest at last, in an odd voice;
"but your father was not my friend."
Public-domain text, read in full here on John Shaqi.
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