An Eagle Flight: A Filipino Novel Adapted from Noli Me Tangere — John Shaqi
An Eagle Flight: A Filipino Novel Adapted from Noli Me TangereRizal, José
History
An Eagle Flight: A Filipino Novel Adapted from Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
"I know only your pueblo, Manila and Antipolo," replied the young girl,
radiant; "but I have always thought of you, and though my confessor
commanded it, I was never able to forget you. I used to think over
all our childish plays and quarrels. Do you remember the day you were
really angry? Your mother had taken us to wade in the brook, behind
the reeds. You put a crown of orange flowers on my head and called me
Chloe. But your mother took the flowers and ground them with a stone,
to mix with gogo, for washing our hair. You cried. 'Stupid,' said she,
'you shall see how good your hair smells!' I laughed; at that you
were angry and wouldn't speak to me, while I wanted to cry. On the
way home, when the sun was very hot, I picked some sage leaves for
your head. You smiled your thanks, and we were friends again."
Ibarra opened his pocketbook and took out a paper in which were some
leaves, blackened and dry, but fragrant still.
"Your sage leaves," he replied to her questioning look.
In her turn, she drew out a little white satin purse.
"Hands off!" as he reached out for it, "there's a letter in it!"
"My letter of good-by?"
"Have you written me any others, senor mio?"
"What is in it?"
"Lots of fibs, excuses of a bad debtor," she laughed. "If you're good I
will read it to you, suppressing the gallantries, though, so you won't
suffer too much." And lifting the paper to hide her face, she began:
"'My----' I'll not read what follows, because it's a fib"; and she
ran her eyes over several lines. "In spite of my prayers, I must
go. 'You are no longer a boy,' my father said, 'you must think of the
future. You have to learn things your own country cannot teach you, if
you would be useful to her some day. What, almost a man and I see you
in tears?' Upon that I confessed my love for you. He was silent, then
placing his hand on my shoulder he said in a voice full of emotion:
'Do you think you alone know how to love; that it costs your father
nothing to let you go away from him? It is not long since we lost your
mother, and I am growing old, yet I accept my solitude and run the risk
of never seeing you again. For you the future opens, for me it shuts;
the fire of youth is yours, frost touches me, and it is you who weep,
you who do not know how to sacrifice the present to a to-morrow good
for you and for your country."
Ibarra's agitation stopped the reading; he had become very pale and
was walking back and forth.
"What is it? You are ill!" cried Maria, going toward him.
"With you I have forgotten my duty; I should be on my way to the
pueblo. To-morrow is the Feast of the Dead."
Maria was silent. She fixed on him her great, thoughtful eyes, then
turned to pick some flowers.
"Go," she said, and her voice was deep and sweet; "I keep you no
longer. In a few days we shall see each other again. Put these flowers
on your father's grave."
Public-domain text, read in full here on John Shaqi.
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