An Edinburgh Eleven: Pencil Portraits from College Life — John Shaqi
An Edinburgh Eleven: Pencil Portraits from College LifeBarrie, J. M. (James Matthew)
General
An Edinburgh Eleven: Pencil Portraits from College Life
Barrie, J. M. (James Matthew)
University of Edinburgh -- Biography
Though a man might, to my mind, be better employed than in going to
college, it is his own fault if he does not strike on some one there
who sends his life off at a new angle. If, as I take it, the glory of a
professor is to give elastic minds their proper bent, Masson is a name
his country will retain a grip of. There are men who are good to think
of, and as a rule we only know them from their books. Something of our
pride in life would go with their fall. To have one such professor at a
time is the most a university can hope of human nature; so Edinburgh
need not expect another just yet. These, of course, are only to be
taken as the reminiscences of a student. I seem to remember everything
Masson said, and the way he said it.
Having, immediately before taken lodgings in a crow's nest, my first
sight of Masson was specially impressive. It was the opening of the
session, when fees were paid, and a whisper ran round the quadrangle
that Masson had set off home with three hundred one-pound notes stuffed
into his trouser pockets. There was a solemn swell of awestruck
students to the gates, and some of us could not help following him. He
took his pockets coolly. When he stopped it was at a second-hand
bookstall, where he rummaged for a long time. Eventually he pounced
upon a dusty, draggled little volume, and went off proudly with it
beneath his arm. He seemed to look suspiciously at strangers now, but
it was not the money but the book he was keeping guard over. His
pockets, however, were unmistakably bulging out. I resolved to go in
for literature.
Masson, however, always comes to my memory first knocking nails into
his desk or trying to tear the gas-bracket from its socket. He said
that the Danes scattered over England, taking such a hold as a nail
takes when it is driven into wood. For the moment he saw his desk
turned into England; he whirled an invisible hammer in the air, and
down it came on the desk with a crash. No one who has sat under Masson
can forget how the Danes nailed themselves upon England. His desk is
thick with their tombstones. It was when his mind groped for an image
that he clutched the bracket. He seemed to tear his good things out of
it. Silence overcame the class. Some were fascinated by the man; others
trembled for the bracket. It shook, groaned, and yielded. Masson said
another of the things that made his lectures literature; the crisis was
passed; and everybody breathed again.
Public-domain text, read in full here on John Shaqi.
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