When the news of Carlyle's death reached the room, Masson could not go on with his lecture. Every one knows what Carlyle has said of him; and no one who has heard it will ever forget what he has said of Carlyle. Here were two men who understood each other. One of the Carlylean pictures one loves to dwell on shows them smoking together, with nothing breaking the pauses but Mrs. Carlyle's needles. Carlyle told Masson how he gave up smoking and then took to it again. He had walked from Dumfriesshire to Edinburgh to consult a doctor about his health, and was advised to lose his pipe. He smoked no more, but his health did not improve, and then one day he walked in a wood. At the foot of a tree lay a pipe, a tobacco pouch, a match-box. He saw clearly that this was a case of Providential interference, and from that moment he smoked again. There the professor's story stops. I have no doubt, though, that he nodded his head when Carlyle explained what the pipe and tobacco were doing there. Masson's "Milton" is, of course, his great work, but for sympathetic analysis I know nothing to surpass his "Chatterton." Lecturing on Chatterton one day, he remarked, with a slight hesitation, that had the poet mixed a little more in company and--and smoked, his morbidness would not have poisoned him. That turned my thoughts to smoking, because I meant to be a Chatterton, but greater. Since then the professor has warned me against smoking too much. He was smoking at the time. This is no place to follow Masson's career, nor to discuss his work. To reach his position one ought to know his definition of a man of letters. It is curious, and, like most of his departures from the generally accepted, sticks to the memory. By a man of letters he does not mean the poet, for instance, who is all soul, so much as the strong-brained writer whose guardian angel is a fine sanity. He used to mention John Skelton, the Wolsey satirist, and Sir David Lindsay, as typical men of letters from this point of view, and it is as a man of letters of that class that Masson is best considered. In an age of many whipper-snappers in criticism, he is something of a Gulliver. The students in that class liked to see their professor as well as hear him. I let my hair grow long because it only annoyed other people, and one day there was dropped into my hand a note containing sixpence and the words: "The students sitting behind you present their compliments, and beg that you will get your hair cut with the enclosed, as it interferes with their view of the professor."