Egypt -- History -- To 332 B.C. -- Fiction; German fiction -- Translations into English
Nitetis was more than dead for her; Bartja, Croesus, Darius, Gyges,
Araspes, all so closely allied to her by relationship and friendship, as
good as dead. And yet she durst not indulge her sorrow; she had to
restrain the despairing outbursts of grief of her impetuous child.
Atossa behaved like one deprived of her senses when she heard of the
sentences of death. The self-control which she had learnt from Nitetis
gave way, and her old impetuosity burst forth again with double
vehemence.
Nitetis, her only friend,--Bartja, the brother whom she loved with her
whole heart,--Darius, whom she felt now she not only looked up to as her
deliverer, but loved with all the warmth of a first affection--Croesus to
whom she clung like a father,--she was to lose every one she loved in one
day.
She tore her dress and her hair, called Cambyses a monster, and every one
who could possibly believe in the guilt of such people, infatuated or
insane. Then her tears would burst out afresh, she would utter imploring
supplications to the gods for mercy, and a few minutes later, begin
conjuring her mother to take her to the hanging-gardens, that they might
hear Nitetis' defence of her own conduct.
Kassandane tried to soothe the violent girl, and assured her every
attempt to visit the hanging-gardens would be in vain. Then Atossa began
to rage again, until at last her mother was forced to command silence,
and as morning had already began to dawn, sent her to her sleeping-room.
The girl obeyed, but instead of going to bed, seated herself at a tall
window looking towards the hanging-gardens. Her eyes filled with tears
again, as she thought of her friend--her sister-sitting in that palace
alone, forsaken, banished, and looking forward to an ignominious death.
Suddenly her tearful, weary eyes lighted up as if from some strong
purpose, and instead of gazing into the distance, she fixed them on a
black speck which flew towards her in a straight line from Nitetis'
house, becoming larger and more distinct every moment; and finally
settling on a cypress before her window. The sorrow vanished at once
from her lovely face and with a deep sigh of relief she sprang up,
exclaiming:
"Oh, there is the Homai, the bird of good fortune! Now everything will
turn out well."
It was the same bird of paradise which had brought so much comfort to
Nitetis that now gave poor Atossa fresh confidence.
She bent forward to see whether any one was in the garden; and finding
that she would be seen by no one but the old gardener, she jumped out,
trembling like a fawn, plucked a few roses and cypress twigs and took
them to the old man, who had been watching her performances with a
doubtful shake of the head.
She stroked his cheeks coaxingly, put her flowers in his brown hand, and
said: "Do you love me, Sabaces?"
"O, my mistress!" was the only answer the old man could utter, as he
pressed the hem of her robe to his lips.
Public-domain text, read in full here on John Shaqi.
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