An Elegy Wrote in a Country Church Yard (1751) and The Eton College ManuscriptGray, Thomas
General
An Elegy Wrote in a Country Church Yard (1751) and The Eton College Manuscript
Gray, Thomas
English poetry
o quid solutis est beatius curis,
cum mens onus reponit, ac peregrino
labore fessi venimus larem ad nostrum
desideratoque acquiescimus lecto!
These simple lines convey what Gray's ploughman is achieving for one
evening, but not what the rude forefathers have achieved for eternity.
From the ploughman and the simple annals of the poor the poem diverges
to reproach the proud and great for their disregard of undistinguished
merit, and moves on to praise of the sequestered life, and to an
epitaph applicable either to a "poeta ignotus" or to Gray himself. The
epitaph with its trembling hope transforms the poem into something
like a personal yet universal requiem; and for one villager--perhaps
for himself--Gray seems to murmur through the gathering darkness: "et
lux perpetua luceat ei." Although in this epitaph we may seem to be
concerned with an individual, we do well to note that the youth to
fortune and fame unknown, whose great "bounty" was only a tear, is as
completely anonymous as the ploughman or the rude forefathers.
The somber aspects of evening are perhaps more steadily preserved by
Gray than by his contemporaries. From Milton to Joseph Warton all
poets had made their ploughman unwearied as (to quote Warton):
He jocund whistles thro' the twilight groves.
With Gray all this blithe whistling stopped together. Evening poems by
Dyer, Warton, and Collins had tended to be "pretty," but here again
Gray resisted temptation and regretfully omitted a stanza designed to
precede immediately the epitaph:
There scatter'd oft, the earliest of ye Year
By hands unseen, are Show'rs of Violets found;
The Red-breast loves to build & warble there,
And little Footsteps lightly print the Ground.
With similar critical tact Gray realized that one might have too much
of stately moral reflections unmixed with drama. Possibly such an
idea determined him in discarding four noble quatrains with which he
first designed to end his poem. After line 72 in the manuscript now in
Eton College appeared these stanzas:
The thoughtless World to Majesty may bow
Exalt the brave, & idolize Success
But more to Innocence their Safety owe
Than Power & Genius e'er conspired to bless
And thou, who mindful of the unhonour'd Dead
Dost in these Notes their artless Tale relate
By Night & lonely Contemplation led
To linger in the gloomy Walks of Fate
Hark how the sacred Calm, that broods around
Bids ev'ry fierce tumultuous Passion cease
In still small Accents, whisp'ring from the Ground
A grateful Earnest of eternal Peace
No more with Reason & thyself at Strife
Give anxious Cares & endless Wishes room
But thro the cool sequester'd Vale of Life
Pursue the silent Tenour of thy Doom.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account