The poem has pleased many and pleased long--throughout two centuries. In part it works through "pleasing melancholy"; in part it appeals to innumerable humble readers conscious of their own unheralded merit. Inevitably, since the industrial revolution, modernist critics have tended to stress its appeal to class consciousness. This appeal, real though it is, can be overemphasized. The rude forefathers are not primarily presented as underprivileged. Though poverty-stricken and ignorant, they are happy in family life and jocund in the field. "Nature is nature wherever placed," as the intellectuals of Gray's time loved to say, and the powers of the village fathers, potentially, equal the greatest; their virtue is contentment. They neither want nor need "storied urn or animated bust." If they are unappreciated by Ambition, Grandeur, Pride, et al., the lack of appreciation is due to a corruption of values. The value commended in the "Elegy" is that of the simple life, which alone is rational and virtuous--it is the life according to nature. Sophisticated living, Gray implies in the stanza that once ended the poem, finds man at war with himself and with reason; but the cool sequestered path--its goal identical with that of the paths of Glory--finds man at peace with himself and with reason. The theme was not new before Gray made it peculiarly his own, and it has become somewhat hackneyed in the last two hundred years; but the fact that it is seldom unheard in any decade testifies to its permanency of appeal, and the fact that it was "ne'er so well express'd" as in the "Elegy" justifies our love for that poem. George Sherburn Harvard University A NOTE ON THE TEXTS The first edition of the "Elegy" is here reproduced from a copy in the William Andrews Clark Memorial Library. By permission of the Provost and Fellows of Eton College, the manuscript preserved in the library of Eton College is also reproduced. This manuscript once belonged to Gray's friend, biographer, and editor, William Mason. In spite of its dimness, due to creases in the paper and to the fact that the ink shows through from the other side of the paper, this manuscript is chosen for reproduction because it preserves the quatrains discarded before printing the poem, and has other interesting variants in text. Two other MSS of the poem in Gray's hand are known to exist. One is preserved in the British Museum (Egerton 2400, ff. 45-6) and the other is the copy made by Gray in Volume II of his Commonplace Books. This, is appropriately preserved in the library of Pembroke College, Cambridge. Sir William Fraser bequeathed to Eton College the MS there found, which in certain editions of the poem is called "the Fraser manuscript." AN ELEGY WROTE IN A Country Church Yard. _LONDON:_ Printed for R. DODSLEY in _Pall-mall_; And sold by M. COOPER in _Pater-noster-Row_. 1751. [Price Six-pence.] Advertisement.