An Engagement of Convenience: A Novel — John Shaqi
An Engagement of Convenience: A NovelZangwill, Louis
General
An Engagement of Convenience: A Novel
Zangwill, Louis
Fiction
Produced by David Edwards, Pat McCoy and the Online
Distributed Proofreading Team at http://www.pgdp.net
_An Engagement
of Convenience_
_A Novel_
_By_
_Louis Zangwill_
_Author of "The World and a Man,"
"One's Womenkind," &c., &c._
_London
Brown, Langham & Co., Ltd.
78 New Bond Street, W.
1908_
"In tragic life, God wot,
No villain need be!"
GEORGE MEREDITH.
An
Engagement of Convenience
I
Miss Robinson had first seen Wyndham and fallen in love with him on the
day that he appeared in the road as a neighbour and set up his studio
there. But that was years before, and she had never made his
acquaintance. He was the Prince Charming of the romances, handsome, of
knightly bearing, with a winning smile on his frank face. From her magic
window in the big corner house where the road branched off into two, she
had narrowly observed his goings and comings, had watched eagerly all
that was visible of his romantic, mysterious profession--the picturesque
Italian models that pulled his bell, the great canvasses and frames
that, during the earlier years at least, were borne in through his door,
to reappear in due course as finished pictures on their way to the
exhibitions--and it was sometimes possible to catch glimpses of stately
figure-paintings and fascinating scenes and landscapes.
Then, too, there was the suggestion of his belonging to a brilliant
social world: she had indeed felt that at her first sight of him. Smart
broughams and victorias in which nestled stylish people not unfrequently
drew up at his studio about tea-time, and in the season he could be seen
going off every night in garb of ceremony; not to speak of his
occasional departures--to important country-houses, no doubt--with
portmanteaus and dressing-bags stacked on the roof of his hansom.
And not less eagerly had Miss Robinson followed his work, scanning the
magazines for his drawings, and haunting the galleries in the search for
his paintings. No one guessed how much he was the interest of her life:
her parents had no suspicion at all, though they knew of their unusual
neighbour, and spoke of him occasionally at table. But Alice Robinson
was the humblest of womankind. Her youth lay already in the past: she
accounted herself the plainest of the plain. So she idealised and
worshipped her hero at a distance, feeling immeasurably farther from him
than the hundred yards of respectable Hampstead pavement that separated
their lives.
Public-domain text, read in full here on John Shaqi.
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