The last two chapters of Book I. in the _Physionomia_ of Scot show
plainly that he had the Arabic version of Aristotle’s _History of
Animals_ before him as he wrote. We shall recur to this matter when we
come to deal with the versions which Scot made expressly from these
books. Meanwhile let us guard against the impression naturally arising
from our analysis of the _Physionomia_, that it was a mere compilation.
Many parts of the work show no correspondence with any other treatise on
the subject that is known to us, and these must be held as the results of
the author’s own observations. The arrangement of the whole is certainly
original, nor can we better conclude our study of the _Physionomia_,
than by giving a comprehensive view of its contents in their order. The
work is divided into three books, each having its own introduction. The
first expounds the mysteries of generation and birth, and reaches, as we
have already remarked, even beyond humanity to a considerable part of
the animal world so much studied by the Arabians. The second expounds
the signs of the different complexions, as these become visible in any
part of the body, or are discovered by dreams. The third examines the
human frame member by member, explaining what signs of the inward nature
may be read in each. The whole forms a very complete and interesting
compendium of the art of physiognomy as then understood, and must have
seemed not unworthy of the author, nor unsuitable as an offering to the
young prince, who by marriage was about to enter on the great world of
affairs, where knowledge of men would henceforth be all-important to his
success and happiness. The book attained a wide popularity in manuscript,
and the invention of printing contributed to increase its circulation in
Europe:[76] no less than eighteen editions are said to have been printed
between 1477 and 1660.[77]
In the copy preserved at Milan, the _Physionomia_ is placed immediately
after the _Astronomia_, or _Liber Particularis_. A similar arrangement
is found in the Oxford manuscript. This fact is certainly in favour
of the view we have adopted, and would seem to fix very plainly
the date and relation of these works. They stand beside the _Liber
Introductorius_, and, together with it, form the only remains we have of
Scot’s first literary activity, being publications that were called out
in the course of his scholastic duty to the King of Sicily. The _Liber
Introductorius_ opens this series. It is closely related by the nature of
its subject-matter to the _Astronomia_, or _Liber Particularis_, while
the _Physionomia_ forms a fitting close to the others with which it is
thus associated. In this last treatise Michael Scot sought to fulfil
his charge by sending forth his pupil to the great world, not wholly
unprovided with a guide to what is far more abstruse and incalculable
than any celestial theorem, the mystery of human character and action.
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