An episode in the doings of the dualizedMason, Eveleen Laura
General
An episode in the doings of the dualized
Mason, Eveleen Laura
Aphasia -- Fiction; Paralysis -- Fiction
Mrs. Mancredo meanwhile had not for a moment lost sight of the fact that
Reginald had not once glanced toward her; and also that, though he had
not changed his dress otherwise, the moss rosebud which he had worn
before was gone now. She began to get up a theory about that rosebud.
She had before never seen him with a buttonhole bouquet. Once when he
had asked her for a flower he had only held it for a while; he hadn’t
worn it. In a polite sort of a way, one time with another, she had
snubbed Reginald often; but all the same, if he was going to wear
rosebuds, she was going to know why and whence. So she watched him. He
was not even reading his paper; he was eating, not without interest in
the good things before him: he was not enough far gone in his new love
for that. But he was so abstracted that he—oh, horrors!—he had
deliberately, firmly, kept his clutch on his knife and fork, and, having
struck the butt of the handle of each squarely down on the table, he
held them points upwards in the air, while he industriously masticated
his food and glared, unconscious, into the abysmal beyond.
“There’s his lineage well defined,” said she to herself, determinedly
watching him; till he with a start looked directly at her, and she
holding his eye, with a quick gesture imitated his attitude, stare and
all; and then sinking back in her chair, fanned herself in a pantomimic
swoon.
He shook his head across the dining-hall, signifying that he had an
account to settle, for that manœuvre. And when he had picked at a grape
or two for dessert, she significantly moved back the empty chair at her
emptily table, and he came over and sat down with her.
She sniffed the air as he approached.
“I smell a moss rosebud,” said she, raising her fibbingly black
eyelashes and fibbing lips towards him.
Reginald had been getting quite bright that afternoon, and he answered
to her direct gaze: “You have a perfect nose.” And just as she took in
the compliment he went on, explanatorily, “a double-barrelled,
back-action nose; a burglarious, lock-picking nose, that can shoot round
three spiral staircases, down a back hall and unlock a door, all for the
purpose of getting at a moss rosebud that you saw pinned on my lapel two
hours ago, and which you don’t see there now! Do you know why you don’t
see it there now? I’ll tell you. It is because it is in a little vase
beside a copy of Petrarch’s works up in my room.”
Now she dropped her eyes and pushed her chair back.
“All right, my poetical friend. I believed all your parables till you
came to a ‘copy of Petrarch’; but there are limits,” said she, and she
looked at him in a way which, with the accompanying words and
intonation, would have meant in a man’s mouth, “You are lying, and I
know it and you know it.”
Public-domain text, read in full here on John Shaqi.
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