An Essay on Colophons, with Specimens and Translations — John Shaqi
An Essay on Colophons, with Specimens and TranslationsPollard, Alfred W. (Alfred William)
History
An Essay on Colophons, with Specimens and Translations
Pollard, Alfred W. (Alfred William)
Books -- History -- 1450-1600; Colophons; Incunabula -- Bibliography
The struggles of the fifteenth-century Latinists to express the
technicalities of printing are always interesting, and the phrase
“caracterum apicibus elementatum” is really gallant. Following the
Greek στοιχεῖα, the Romans used the word “elementa” originally for the
component sounds of speech and then, by transference, for the letters
of the alphabet. “Elementatum,” therefore, is strictly appropriate, and
might be rendered “with the letters built up or put together,” while
“caracterum apicibus” of course refers to the engraving in relief which
forms the face of the type.
In 1475, perhaps as an echo of some verses in the “Noua compilatio
Decretalium Gregorii IX” of 1473, we find a new phrase tacked on to the
“arte impressoria” in an edition of Justinian, noting the fact that
though Providence did not consider antiquity worthy of the art, it had
been granted to our times (“qua quidem etsi antiquitas diuino non digna
est visa indicio, nostra nichilominus tempestate indulta”). In 1476
again Schoeffer advertises that his edition of Justinian’s Institutes
was printed “in the noble city of Mainz am Rhein, the inventress and
first perfectress of the printing art” (“In nobili urbe Maguncia
Rheni, impressorie artis inuentrice elimatriceque prima”), while in the
Clementine Constitutions of the same year he substitutes “alumnaque” for
“elimatriceque,” presumably in the sense of pupil or practiser, reverting
subsequently to “elimatrice.” In 1478 he once more varies the praises
of Mainz by calling her “domicilium Minerve firmissimum,” “the most
stable home of Minerva.” With this year 1478, which closes the period of
Schoeffer’s chief activity, we may bring our survey of his colophons to
an end. Thereafter he printed more intermittently, and, if the absence of
colophons may be trusted, as I think it may, with less interest in his
work. But during these twenty-two years from 1457 to 1478, inclusive, he
had made his books bear continual testimony to one great fact, that the
art of printing had been invented and brought to perfection in Germany,
in the city of Mainz; and in any weighing of the comparative claims
that have been advanced on behalf of Germany and Holland, I think that
the evidence of Schoeffer’s colophons alone would suffice to give the
priority to Germany and Mainz.
Public-domain text, read in full here on John Shaqi.
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