An Essay on Colophons, with Specimens and TranslationsPollard, Alfred W. (Alfred William)
History
An Essay on Colophons, with Specimens and Translations
Pollard, Alfred W. (Alfred William)
Books -- History -- 1450-1600; Colophons; Incunabula -- Bibliography
Nicolas Jenson, a Frenchman, I
This book have printed. Who’ll deny
The skill it shows? Then, reader kind,
The while ’tis read please bear in mind
The printer’s name with friendly thought
Who this Suetonius has wrought.
1471.
In the “De Bello Italico aduersus Gotthos” of Leonardo Aretino, printed
in the same year, we find this sentiment expressed more concisely in a
couplet which could be inserted in any book:
Gallicus hunc librum impressit Nicolaus Ienson.
Artifici grates, optime lector, habe.
Nicolas Jenson, a Frenchman, took
The pains to put in print this book.
Then to the craftsman, reader good,
Be pleased to show some gratitude.
Lastly, in this same year, we have two variants of a prose colophon which
contains a fine phrase of epigrammatic brevity. In an edition of the
“Familiar Letters of Cicero” it runs:
MCCCCLXXI.
Opus praeclarissimum M. T. Ciceronis Epistolarum Familiarium a
Nicolao Ienson Gallico viuentibus necnon et posteris impressum
feliciter finit.
1471.
A very notable book, the Familiar Letters of Marcus Tullius
Cicero, printed by Nicolas Jenson for this and also for future
generations, comes happily to an end.
The phrase, but slightly enlarged, recurs in the “Institutes of
Quintilian” of the same year.
Quintilianum eloquentiae fontem ab eruditissimo Omnibono
Leoniceno emendatum M. Nicolaus Ienson Gallicus viuentibus
posterisque miro impressit artificio annis M.CCCC.LXXI Mense
Maii die xxi.
Quintilian, the fountain of eloquence, corrected by the most
learned Omnibonus Leonicenus, was printed by Nicolas Jenson, a
Frenchman, with wonderful craftsmanship, for this and future
generations, in the year 1471, on the 21st day of the month of
May.
After this, until he joined John of Cologne, Jenson’s colophons become
short and featureless. Meanwhile, however, a third printer, Christopher
Valdarfer of Ratisbon, had set up a press at Venice, and toward the
close of 1470 joined in the contest of poetical colophons. His first
contribution to it appears to be these three couplets in praise of his
edition of Cicero’s “De Oratore”:
[Illustration: Cicero. De Oratore. Venice: C. Valdarfer, 1470.]
ANNO DO. M.CCCC.LXX.
Si quem oratoris perfecti audire iuuabit
Materiam: fons est hoc Ciceronis opus.
Hic tersum eloquium uelut Attica lingua refulget:
Christophori impressus hic liber arte fuit.
Cui stirps Valdarfer patria estque Ratispona tellus.
Hunc emat, orator qui uelit esse, librum.
Who’d know the perfect orator’s stock-in-trade
Only this work of Cicero let him read,
Where polished speech, like Greek, doth light impart,
And all is printed by Cristoforo’s art,
Whose clan’s Valdarfer, Ratisbon his home.
The would-be orator need but buy this tome.
Public-domain text, read in full here on John Shaqi.
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