An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value — John Shaqi
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its ValueSully, James
Philosophy
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value
Sully, James
Laughter
Now I take it that there is another side to these apperceptive
tendencies. Not only do they secure for us, without the necessity of
calling up distinct ideas, these instant recognitions of a sort of
thing, they enable us as well as intelligent animals mentally to reject
presentations which do not answer to “the sort of thing”. I can say
that this wax figure is not a man without having any distinct image
of the living man present to my consciousness. This ability {15} to
recognise what we see as not of a particular kind of thing, without
calling up a definite idea of this kind, extends to combinations and
arrangements of parts in a whole. When, after my servant has dusted my
books and rearranged them on the shelves, I instantly recognise that
they are wrongly placed, I may at the moment be quite unable to say
what the right arrangement was.[8]
According to my view, the perceptions of the laughable which Dr. Lipps
illustrates are instantaneous perceptions. As such, they may, and
commonly do, arise immediately, that is, without any reversion to the
idea of what is the customary or normal arrangement.
But the reader may urge with force that the enjoyment of this charming
bit of childish pretence involves more than a perception of the unusual
and the irregular. Do we not at least apprehend the fact that the hat
is not merely unfitting, and grotesquely wrong, but a usurpation of
the prerogative of the superior? Is not the behaviour of the child
so deliciously whimsical just because we fix the mental eye on this
element of make-believe? And if so, does not this imply that we have
present to the mind the proper belongings of the hat, _viz._, the
father’s head and figure?
I readily agree that when we make our perceptions reflective, as we may
do, this idea is apt to emerge. As has been implied above, the sight
of the tall hat does tend to suggest the idea of its usual wearer, and
in lingering on this quaint bit of acting we may not improbably catch
ourselves imagining the hat on the right {16} head, especially as we
see that it is the child’s playful aim to personate the privileged
owner. And the same thing might occur in laughing at the father
topped with the small child’s hat; for the laugher, who would in this
case more probably be a child, might naturally enough reinstate in
imaginative thought the small child’s head to which the cap belongs.
This combination seems at least to be much more likely to recur to the
imagination than the other combination, which retaining the wearer
substitutes the idea of the right hat.
Public-domain text, read in full here on John Shaqi.
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