An Essay on Laughter: Its Forms, Its Causes, Its Development and Its ValueSully, James
Philosophy
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value
Sully, James
Laughter
How far persons in positions of authority have gratified their sense
of superiority by derisive laughter at those below them, it would, of
course, be hard to say. When power is real and absolute there are other
ways of expressing contempt. Literature undoubtedly furnishes examples
of the ridicule by the social superior of the ways of a lower class,
as in the Provençal poem of Bertran de Born (_c._ 1180) in which the
villains are treated contemptuously. Yet the larger part of literature,
not being produced for a ruling caste, does not throw much light on
this subject.[230] One can only infer with some probability, from
the relations of parents and adults, generally, to children, and of
white {264} masters to their coloured slaves, that power has always
been tempered by some admixture of good-nature, which composition has
produced a certain amount of playful jocosity, at once corrective and
cementing.
The derisive laughter of the superior is particularly loud in certain
cases where the authority is not so real as it might be. Man’s ridicule
of his not too obedient spouse may be said almost to shriek adown the
ages. We may read in papyri of Egypt of the fourteenth or thirteenth
century B.C. of the misfortunes of a husband, named Anoupou.[231]
The Greek comedians thought no abuse of the sex too bitter or too
coarse.[232] In Latin literature we have satirical portraits of
different types of women, drawn under the figures of various brutes, a
fox, a mare, etc.[233] In mediæval society, the low opinion of women
entertained by their lords is illustrated in the firm persuasion that
the only way to treat them was to beat them—watching them was quite
vain—so that they might be occupied all the day with crying.[234]
Sometimes, as in the _Arabian Nights_, this contempt takes the form
of bitter denunciation; but, for the most part, it has laughed in the
brighter key of comedy. Even the satire here is wont to lose all trace
of savageness, and to assume the tone of a good-natured acceptance of
the incurable.
While the formation of social ranks has thus secured a wide range
for supercilious mocking of inferiors, it has guaranteed these ample
opportunity of avenging themselves by laughter at the expense of the
authorities.
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