An Essay on Laughter: Its Forms, Its Causes, Its Development and Its ValueSully, James
Philosophy
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value
Sully, James
Laughter
How soon in man’s history any such laughter became {265} possible, it
would be hard to say. In the simpler types of community, the severe
restraints laid on youths by the men of the tribe must, one supposes,
have been fatal to any indulgence by sons in laughter at the expense of
fathers, such as is illustrated in comedy both ancient and modern. The
penalties attached to breach of ceremonial rule must have stifled any
impulse of laughter, if it happened to arise. It is said that when the
chief of a certain tribe chanced to stumble, his subjects were bound to
pretend to stumble in order to cover up his defect.[235] The utility of
this quaint custom may have lain in its effectual suppression of the
risible impulse. This theory, however, postulates a kind of courtier
widely removed from the modern, of whom it seems safe to say that
he might be trusted to see stumblings and worse without feeling an
over-mastering temptation to laugh.
One can only conjecture that men began to discern and enjoy the amusing
side of authority and its solemn ways of asserting itself, in their
free moments, at a safe distance from tell-tale eyes.
What is known of the hard-worked slave of antiquity is suggestive not
merely of play after toil, but of a safe turning on task-masters.
When, as we read, the Egyptian workman got fun “out of the smallest
incident in the day’s work—an awkward apprentice cutting his finger,
a comrade sleeping over his task whom the overseer lashes to awaken
him,” and so forth, did not something of a spirit of malicious crowing
over the overseer express itself too? The analogy of the judiciously
half-smothered laughter of the English schoolboy in playground or
dormitory suggests the answer. We must not wonder if these dangerous
excursions of the spirit of fun have failed to be recorded. {266}
Still more significant is another picture from the same hand,
representing a tussle between overseer and workmen in which “the stick
vainly interferes,” so that “at least an hour elapses before quiet
is re-established”.[236] This looks like the rollicking laughter of
schoolboys at the spectacle of an orderly ceremony suddenly turned
to disorder. The interpretation is borne out by the fact that these
same Egyptians were able to enter into the fun of a loss of dignity
in a solemn function, for example, the upsetting by a collision of
the richly supplied table in the funereal boat, and the falling
of a mummy on a priest during the ceremony of conveying it to its
resting-place.[237]
Public-domain text, read in full here on John Shaqi.
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