An Essay on Laughter: Its Forms, Its Causes, Its Development and Its ValueSully, James
Philosophy
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value
Sully, James
Laughter
The consideration of the complexity of the sentiment may throw
light, further, on its modifications among the peoples which are
correctly spoken of as endowed with it. These differences are roughly
accounted for by saying that the proportions of gravity and gaiety,
of serious reflection and playful fancy vary indefinitely. They are
certainly different, let us say, in the case of the Englishman, the
American, the Scotchman and the Irishman. Yet this consideration does
not account for all the dissimilarity. Since humour is playfulness
modified by the whole serious temper of a man, we should expect it to
differentiate itself into many shades according to the trend of the
ideas, interests, impulses and the rest which distinguishes one sort
of mind or character from another. We can only fully understand the
contrast between American and English, or between Irish and Scotch,
humour, when we understand the differences {313} of character. An
amusing Irish or Scotch story, one, that is to say, which is produced
for home-consumption, seems to be redolent of the whole temperament,
mind and character of the people. It is this complexity of the
sentiment which makes the amiable effort to illustrate the humour of
other peoples by published selections a pathetic futility. How can
one expect, for example, the ordinary Englishman to get into touch
with that fine product of child’s fun, quick fancy, alert sympathy,
open-heartedness, and a deep brooding sentiment which meets him in the
humour of the Irishman? It is enough to remember how he is wont to
laugh his superior laugh at an Irish bull, as if this were necessarily
an unconscious “howler,” whereas it may be, in reality, a charming
expression of a most amiable trait of character.[270]
A due recognition of the complexity of the sentiment discloses to us a
point of capital importance: humour, in the sense of a perfect fusion
of play and gravity, of the aggressiveness of laughter and kindly
consideration, is, as already hinted, pre-eminently an endowment of
individuals rather than of races. It presupposes a basis of temperament
which, though it may be favoured by certain racial characters, is only
realised where nature hits upon a particular proportion among the
elements by the mixing of which she produces an individual; and so nice
an operation is this mixture, that humour, of the full rich quality at
least, is perhaps less frequently handed down from parent to child than
specific forms of talent.
Public-domain text, read in full here on John Shaqi.
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