An Essay on Laughter: Its Forms, Its Causes, Its Development and Its ValueSully, James
Philosophy
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value
Sully, James
Laughter
On the other hand, the field of objects over which humour wanders
bee-like gathering its honey is vastly greater than any region known
to the rougher and more brutal merriment. The introduction of a
reflective element and of higher points of view expands the horizon to
an incalculable extent.
This change in point of view means at once that we penetrate below
the surface of things, reaching the half-veiled realities, and that
we envisage them in a network of relations. The former is illustrated
in the humorist’s finer contemplation of behaviour as a revelation
of character. {316} An amplitude of enjoyment is secured by the
circumstance that, even in the case of the self-vigilant, intellectual
and moral weaknesses have a way of peeping out which is most convenient
for a humorous onlooker who has his mental eye duly accommodated.
When, for example, a young teacher, asked by an examiner to explain
“congenital tendency,” wrote, “It is the tendency to be congenial and
pleasant: children vary in this characteristic,” the entertainment
of the error for the reader lay in the naïve disclosure of the
preoccupation of the writer’s mind with the chequered fortunes of her
profession. Or again, when another candidate from the same class,
in describing the qualifications of a teacher, wrote: “He should be
as intimately acquainted with the workings of a child’s mind as the
engine-driver is with the engine,” the fun of the comparison for the
reader came from the detection of an unscientific habit of mind,
natural enough in an over-zealous worker, intruding, unobserved, into
theoretic reflection.
These innocent self-revelations meet the watchful eye of the humorist
everywhere in the haunts of men. They lie like hoar frost in the sun
on his surroundings, on which he unwittingly casts a reflection of
the habits of his mind and of the directions of his taste; as when
in a large town bizarre juxtapositions of the vulgar heroic strike
the observer’s eye in the names of streets, or of loose engines on a
railway.
Public-domain text, read in full here on John Shaqi.
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