An Essay on Laughter: Its Forms, Its Causes, Its Development and Its ValueSully, James
Philosophy
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value
Sully, James
Laughter
The newspaper, highly respectable institution as it {336} undoubtedly
is, entertains those in search of humorous enjoyment in other ways too.
Its very standpoint as issuer of news leads to an amusing exaggeration
of the importance of anything which happens to thrust its head up at
the moment. An idea, aye and a fallacy too, old as the ages, will
secure attention if only somebody with a name happen to bring it up
anew. Whence comes the neomania which we see on all hands, the absurd
exaltation of the latest novel and the rest. Yet more exhilarating to
humorous inspection is the naïve assumption of the newspaper and its
clients that everything happens in order to furnish them with news.
I remember a paper, not of a low class, seriously contending, when a
disagreeable _cause célèbre_ had to be re-tried, that, since everybody
had made up his mind on the case, a new trial was most regrettable.
The frank suggestion that the proceedings of our law courts have their
final cause in the satisfaction of a craving for news in readers of
journals was, doubtless, an editorial slip; yet the assumption is often
discoverable to a penetrating eye. The point of view reminds one of the
joyous antics of the Italian children who follow the cavalcade of the
diligence and its “supplements” as it descends southwards to the level
of the olive-groves, sure in their glee that the rattling procession,
and the “soldi” too, have come for their delight. In view of the
entertainment afforded by the press in these days, one may sometimes
wonder whether the expression “comic journal” is not growing into a
pleonasm.
Humour will keep at our elbow, too, if we push deeper, and, lifting
the wrappings of convention, insist on seeing the realities. The
involutions of public utterance when, say, a dubious appointment has
to be defended, are in themselves no less entertaining an exhibition
of naïveté disclosed through elaborate wrappings than the romancings
of a {337} naughty child beating about for an excuse. No kind of
spectacle, perhaps, is more uplifting to a spirit given to the right
sort of reflection, none too which has a larger promise of unwearying
variation, than the wrigglings of the human mind when tangled in
awkward appearances, and forced to find something which looks like a
way of logical escape.
Public-domain text, read in full here on John Shaqi.
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