An Essay on Laughter: Its Forms, Its Causes, Its Development and Its ValueSully, James
Philosophy
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value
Sully, James
Laughter
As all who read are aware, the vagaries of “society” and the drolleries
of public life are no new spectacle. Other times and patterns of
society have had their entertaining aspects fixed for us by the
half-retired chronicler. Yet there is much to suggest that the social
scene of to-day bears the palm, as illustrator of the volume and the
many-sidedness of the laughable. The bigness of our social scheme, its
instability and “go-aheadness,” its reckless activity—these and other
features, aided by the eagerness of people to gain publicity for their
doings and a corresponding readiness of journals to accord it, appear
to secure for the quiet onlooker to-day the enjoyment of an exuberant
crop of personal oddities, pushful pretences, disparities between
position and qualification, and the other amusing features of the
social scene.
Much of the drollery of the social spectacle here touched on may be
enjoyed with a certain detachment, and even with a _soupçon_ of the
malice which characterises the laughter of those outside the social
group, within which the merry showman is erecting his stage. The
kindlier note of humour enters here only as a subordinate element,
as a good-natured toleration of folly, supported by a more or less
distinct comprehension of it under the head of worthy qualities
sadly perverted. It must be otherwise if the bizarre and provocative
spectacle of folly’s head obtrudes itself into a season of national
storm and stress, say of war-commotion, {338} when the observer of
things cannot, unless he be an unsocial cynic, any longer consent to
be detached. The very possibility of a laugh, or even of a smile,
might seem to be excluded as a desecration. If it is possible, it
can only be through the discovery of a _modus vivendi_ between the
mirthful impulse and some of the deepest and most absorbing of our
feelings and impulses. Our analysis of humour has prepared us for a
considerable penetration of the mellowed kind of mirth into the heart
of the serious, for a fine and rapid detection by the practised eye of
amusing aspects of situations and experiences which appeal directly and
powerfully to the acuter feelings and to the sterner attitudes. We may,
perhaps, find the crowning illustration of this interpenetration of
the serious and the playful in the possibility of a humorous glance at
things which must stir the heart-depths of every true citizen.
Public-domain text, read in full here on John Shaqi.
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