An Essay on Laughter: Its Forms, Its Causes, Its Development and Its ValueSully, James
Philosophy
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value
Sully, James
Laughter
Yet to describe the effect here as due to breach of rule and lapse of
dignity is certainly not to give a full account of the _modus operandi_
of this variety of the laughable. If to speak of these things is
forbidden and branded as an offence to good taste, on the other hand
that which is alluded to is a real and an inseparable part of our
nature. The enjoyment of these allusions may accordingly be viewed
under another aspect as a rejection of the artificial in favour of
simple unadorned nature. The casting aside for the moment of the decent
veil and the facing of what is customarily hidden away seems, indeed,
to be attended by a distinct feeling of liberation from restraint and
of joyous expansion. Hence, probably, the fact noted by historians
of mediæval manners that the coarseness of the jocosity appeared
to increase with the magnitude of the feast. The mood of exuberant
hilarity favours the slackening of all artificial restrictions. The
same consideration may, perhaps, explain the hold which coarse jokes,
if only they have just the right quantum of salt, maintain on the
humorous palate of the strong and virile among men of intellect.
In this brief account of the mirthful aspect of the indecent I have
confined myself to what discloses itself to consciousness in the
moderate forms of laughter, common among civilised men who practise
a certain self-restraint. Yet we know that the outbursts which are
provoked, in coarser men at least, by the uncovering of sexual matters
have a deeper {101} source in the obscure parts of our animal
organisation. Our sources of knowledge with respect to the condition
of men when they are seized with the sexual orgasm, including the
testimony of mythology, suggest that laughter here assumes the function
of voicing a state of riotous self-glorification of the animal part of
our nature, when fully released for a moment; and, further, that here,
as in some forms of nervous laughter, it has an organic connection with
a condition of emotional paroxysm.
It is hardly necessary to point out that relativity has a large empire
in this branch of the laughable. A man’s idea of what is obscene
will be relative to the standards of his society, which may vary
considerably. The Englishman living abroad is apt to be impressed by
the fact that men and women, otherwise as refined as his own people,
hesitate less to call a spade a spade and to allude in conversation
to subjects which are tabu at home. Similarly, the modern reader of
Shakespeare may be shocked by the freedom of speech of the cultivated
women of another age.
Further, as implied above, the readiness to laugh here will be modified
profoundly by refinement of feeling. If it is true that all men are
capable of enjoying an allusion to the indecent, provided that it is
delicately executed, it is no less true that only coarse-minded men
are able to drink frequently or deeply at this rather muddy spring of
laughter.[59]
Public-domain text, read in full here on John Shaqi.
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