An Essay on Laughter: Its Forms, Its Causes, Its Development and Its ValueSully, James
Philosophy
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value
Sully, James
Laughter
Any serious attempt to illustrate the variety of the sources of men’s
ordinary laughter must, I think, find a place for this group. Among
men, and one may add the gods, the uncovering of that which decency
insists on hiding is a powerful provocative of laughter. In their more
direct and potent workings indecent presentations appeal to the loud
mirthfulness of the coarse mind, to the _gros rire_ of the man tossing
the _gros sel_, as Mr. Meredith has it. They bulk among the jocosities
of savage tribes—or at least many of these—and of the less refined
among civilised societies. Culture is a great restraining influence
here. Yet it would be an error to suppose that educated men who are
also of the laughter-loving are destitute of this sensibility. The
impulse to greet merrily an allusion to the indecent, when it comes
unexpectedly, taking us off our guard, so to speak, and when it is
neither too pronounced nor enlarged upon, is, I believe, universal
among men who laugh.
The laughter at a suggestion of what not only civilised but even
savage society seeks to veil from view would seem to be most naturally
regarded as a case of the improper, or breach of accepted rule. To make
reference to these matters is to break through a well-understood social
convention. This breach, moreover, carries with it a plump descent into
the depths of the undignified; for since society has willed to throw
the veil here any attempt to uplift it implies something shameful. The
disgrace falls on the person who is the subject of the allusion—in
all cases where there is a definable person concerned. In others,
where {100} the allusion is directed to a common “infirmity” of human
nature, the indignity done is, of course, more widespread. Not only so,
we feel on hearing such an allusion that there is a lapse of dignity
all round in speaker and hearers alike. The blush of the refined hearer
attests this feeling of shame.
Public-domain text, read in full here on John Shaqi.
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