An Essay on the Beautiful, from the Greek of PlotinusPlotinus
Philosophy
An Essay on the Beautiful, from the Greek of Plotinus
Plotinus
Aesthetics -- Early works to 1800
But, though the mischief arising from the study of words is
prodigious, we must not consider it as the only cause of darkening
the splendours of Truth, and obstructing the free diffusion of her
light. Different manners and philosophies have equally contributed
to banish the goddess from our realms, and to render our eyes
offended with her celestial light. Hence we must not wonder that,
being indignant at the change, and perceiving the empire of
ignorance rising to unbounded dominion, she has retired from the
spreading darkness, and concealed herself in the tranquil and
divinely lucid regions of mind. For we need but barely survey
modern pursuits to be convinced how little they are connected with
wisdom. Since, to describe the nature of some particular place, the
form, situation and magnitude of a certain city; to trace the windings
of a river to its source, or delineate the aspect of a pleasant mountain;
to calculate the fineness of the silkworm's threads, and arrange the
gaudy colours of butterflies; in short, to pursue matter through its
infinite divisions, and wander in its dark labyrinths, is the
employment of the philosophy in vogue. But surely the energies of
intellect are more worthy our concern than the operations of sense;
and the science of universals, permanent and fixed, must be superior
to the knowledge of particulars, fleeting and frail. Where is a
sensible object to be found, which abides for a moment the same;
which is not either rising to perfection, or verging to decay; which is
not mixed and confused with its contrary; whose flowing nature no
resistance can stop, nor any art confine? Where is the chemist who,
by the most accurate analyzation can arrive at the principles of
bodies; or who, though he might be so lucky in his search as to
detect the atoms of Democritus, could by this means give respite to
mental investigation? For every atom, since endued with figure,
must consist of parts, though indissolubly cemented together; and
the immediate cause of this cement must be something incorporeal
or knowledge can have no stability and enquiry no end. Where, says
Mr Harris, is the microscope which can discern what is smallest in
nature? Where the telescope which can see at what point in the
universe wisdom first began? Since, then, there is no portion of
matter which may not be the subject of experiments without end, let
us betake ourselves to the regions of mind, where all things are
bounded in intellectual measure; where everything is permanent and
beautiful, eternal and divine. Let us quit the study of particulars, for
that which is general and comprehensive, and through this, learn to
see and recognize whatever exists.
Public-domain text, read in full here on John Shaqi.
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