We still, therefore, repeat the question, What is the beauty of bodies? It is something which at first view presents itself to sense, and which the soul familiarly apprehends and eagerly embraces, as if it were allied to itself. But when it meets with the deformed, it hastily starts from the view and retires abhorrent from its discordant nature. For since the soul in its proper state ranks according to the most excellent essence in the order of things, when it perceives any object related to itself, or the mere vestige of a relation, it congratulates itself on the pleasing event, and astonished with the striking resemblance[5] enters deep into its essence, and, by rousing its dormant powers, at length perfectly recollects its kindred and allies. What is the similitude then between the beauties of sense and that beauty which is divine? For if there be any similitude the respective objects must be similar. But after what manner are the two beautiful? For it is by participation of species that we call every sensible object beautiful. Thus, since everything void of form is by nature fitted for its reception, as far as it is destitute of reason and form it is base and separate from the divine reason, the great fountain of forms; and whatever is entirely remote from this immortal source is perfectly base and deformed.[6] And such is matter, which by its nature is ever averse from the supervening irradiations of form. Whenever, therefore, form accedes, it conciliates in amicable unity the parts which are about to compose a whole; for being itself one it is not wonderful that the subject of its power should tend to unity, as far as the nature of a compound will admit. Hence beauty is established in multitude when the many is reduced into one, and in this case it communicates itself both to the parts and to the whole. But when a particular one, composed from similar parts, is received it gives itself to the whole, without departing from the sameness and integrity of its nature. Thus at one and the same time it communicates itself to the whole building and its several parts; and at another time confines itself to a single stone, and then the first participation arises from the operations of art, but the second from the formation of nature. And hence body becomes beautiful through the communion supernally proceeding from divinity.