An Essay on the Development of Christian DoctrineNewman, John Henry
Religion
An Essay on the Development of Christian Doctrine
Newman, John Henry
Catholic Church -- Doctrines; Dogma, Development of
Since religious systems, true and false, have one and the same great and
comprehensive subject-matter, they necessarily interfere with one
another as rivals, both in those points in which they agree together,
and in those in which they differ. That Christianity on its rise was in
these circumstances of competition and controversy, is sufficiently
evident even from a foregoing Chapter: it was surrounded by rites,
sects, and philosophies, which contemplated the same questions,
sometimes advocated the same truths, and in no slight degree wore the
same external appearance. It could not stand still, it could not take
its own way, and let them take theirs: they came across its path, and a
conflict was inevitable. The very nature of a true philosophy relatively
to other systems is to be polemical, eclectic, unitive: Christianity was
polemical; it could not but be eclectic; but was it also unitive? Had it
the power, while keeping its own identity, of absorbing its antagonists,
as Aaron's rod, according to St. Jerome's illustration, devoured the
rods of the sorcerers of Egypt? Did it incorporate them into itself, or
was it dissolved into them? Did it assimilate them into its own
substance, or, keeping its name, was it simply infected by them? In a
word, were its developments faithful or corrupt? Nor is this a question
merely of the early centuries. When we consider the deep interest of the
controversies which Christianity raises, the various characters of mind
it has swayed, the range of subjects which it embraces, the many
countries it has entered, the deep philosophies it has encountered, the
vicissitudes it has undergone, and the length of time through which it
has lasted, it requires some assignable explanation, why we should not
consider it substantially modified and changed, that is, corrupted, from
the first, by the numberless influences to which it has been exposed.
2.
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