But whatever may be the early disposition of mankind to poetry, or the advantages they possess in cultivating this species of literature; whether the early maturity of poetical compositions arise from their being the first studied, or from their having a charm to engage persons of the liveliest genius, who are best qualified to improve the eloquence of their native tongue; it is a remarkable fact, that, not only in countries where every vein of composition was original, and was opened in the order of natural succession; but even at Rome, and in modern Europe, where the learned began early to practise on foreign models, we have poets of every nation, who are perused with pleasure, while the prose writers of the same ages are neglected. As Sophocles and Euripides preceded the historians and moralists of Greece, not only Naevius and Ennius, who wrote the Roman history in verse, but Lucilius, Plautus, Terence, and we may add Lucretius, were prior to Cicero, Sallust, or Caesar. Dante and Petrarch went before any good prose writer in Italy; Corneille and Racine brought on the fine age of prose compositions in France; and we had in England, not only Chaucer and Spenser, but Shakspeare and Milton, while our attempts in history or science were yet in their infancy; and deserve our attention, only for the sake of the matter they treat. Hellanicus, who is reckoned among the first prose writers in Greece, and who immediately preceded, or was the contemporary of Herodotus, set out with declaring his intention to remove from history the wild representations, and extravagant fictions, with which it had been disgraced by the poets. [Footnote: Quoted by Demetrius Phalerius.] The want of records or authorities, relating to any distant transactions, may have hindered him, as it did his immediate successor, from giving truth all the advantage it might have reaped from this transition to prose. There are, however, ages in the progress of society, when such a proposition must be favourably received. When men become occupied on the subjects of policy, or commercial arts, they wish to be informed and instructed, as well as moved. They are interested by what was real in past transactions. They build on this foundation the reflections and reasonings they apply to present affairs, and wish to receive information on the subject of different pursuits, and of projects in which they begin to be engaged. The manners of men, the practice of ordinary life, and the form of society, furnish their subjects to the moral and political writer. Mere ingenuity, justness of sentiment, and correct representation, though conveyed in ordinary language, are understood to constitute literary merit, and by applying to reason more than to the imagination and passions, meet with a reception that is due to the instruction they bring.