The abilities of active men, however, have a variety corresponding to that of the subjects on which they are occupied. A sagacity applied to external and inanimate nature, forms one species of capacity; that which is turned to society and human affairs, another. Reputation for parts in any scene is equivocal, till we know by what kind of exertion that reputation is gained. No more can be said, in commending men of the greatest abilities, than that they understand well the subjects to which they have applied; and every department, every profession, would have its great men, if there were not a choice of objects for the understanding, and of talents for the mind, as well as of sentiments for the heart, and of habits for the active character. The meanest professions, indeed, so far sometimes forget themselves, or the rest of mankind, as to arrogate, in commending what is distinguished in their own way, every epithet the most respectable claim as the right of superior abilities. Every mechanic is a great man with the learner, and the humble admirer, in his particular calling: and we can, perhaps with more assurance pronounce what it is that should make a man happy and amiable, than what should make his abilities respected, and his genius admired. This, upon a view of the talents themselves, may perhaps be impossible. The effect, however, will point out the rule and the standard of our judgment. To be admired and respected, is to have an ascendant among men. The talents which most directly procure that ascendant, are those which operate on mankind, penetrate their views, prevent their wishes, or frustrate their designs. The superior capacity leads with a superior energy, where every individual would go, and shews the hesitating and irresolute a clear passage to the attainment of their ends. This description does not pertain to any particular craft or profession; or perhaps it implies a kind of ability, which the separate application of men to particular callings, only tends to suppress or to weaken. Where shall we find the talents which are fit to act with men in a collective body, if we break that body into parts, and confine the observation of each to a separate track?