An Essay on True and Apparent Beauty in which from Settled Principles is Rendered the Grounds for Choosing and Rejecting EpigramsNicole, Pierre
Philosophy
An Essay on True and Apparent Beauty in which from Settled Principles is Rendered the Grounds for Choosing and Rejecting Epigrams
Nicole, Pierre
Epigrams -- History and criticism
But it is not sufficient that diction answer to the subject-matter
unless it also answers to the nature of man, in which may be discerned
a kind of aversion to obsolete, low, and inappropriate words. I prefer
to call this aversion a natural one rather than a result of opinion,
though it is in a way based on opinion. For although the feeling that
a particular word is more in common use and more civilized than
another is purely a matter of men's judgement, nevertheless it is as
natural to be displeased by the unusual and inappropriate as it is to
be pleased with the usual and proper. Whatever is contrary to reason
offends by the very fact that it is seen to lack reason. Certainly, to
leave aside familiar terms and to search out unusual ones is wholly
foreign to reason. However, there is added to this natural source of
offense another that proceeds from opinion. Since such words are
commonly condemned, there is associated with them a certain distaste
and contempt such that it is scarcely possible to pronounce them
without immediately arousing the associated feelings.
Consequently, the intelligent writer will willingly comply with usage
so as not to give grounds for displeasure--whether this displeasure
springs from nature or opinion. Though he is aware that usage is
unstable and changes day by day, nevertheless he will prefer rather to
please at one time than never. He will be careful, however, in his
written work not to make use of the current jargon, especially of the
French court and women's circles, or of any locutions that are not yet
generally received. For the life of such expressions is too short to
be bound into a lasting work--not to speak of the detestable
affectation which detracts from the weight and dignity of the writing.
To conclude, there is a beauty and charm in propriety and elegance of
diction which is not to be scorned, though it is but of a time, and,
since it rests on opinion, by which usage is determined, will pass
away with a change of opinion. Hence those who write not for an age
but for all time should try to attain something else, something that
has no admixture of opinion: Such is the agreement of words with
nature, which we will now explain.
_The inner and more intimate agreement of words and nature._
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