An essay towards a natural history of serpentsOwen, Charles
History
An essay towards a natural history of serpents
Owen, Charles
Serpent worship -- Early works to 1800; Serpents -- Early works to 1800; Serpents -- Religious aspects -- Early works to 1800
2. _DURING the Time of Cure, the wounded People throw themselves into a
Variety of strange Forms_, and behave like Drunkards and Madmen ...
talking foolishly ... diverting themselves with naked Swords, red Cloth,
_&c._ but the Sight of any Object that appears black is terrible to
them. _Ibid._
To this Account of the _Tarantula_, I have (by way of Illustration)
added the Remarks of another learned Foreigner, who says.... The
venemous Bite of the _Tarantula_ is quickly follow’d with a very acute
Pain, and soon after, with Numbness, profound Sadness, difficult
Respiration: The Pulse grows weak, the Sight disturbed; Persons lose
their Knowledge, Sense, and Motion; and if destitute of Help, they
die.... The most effectual and certain _Remedy_ is _Musick_: When the
Person becomes destitute of Knowledge and Motion, a _Musician_ tries a
Variety of Airs: Shou’d he hit on that whose Harmony is suited to the
Patient, he begins to move by successive Degrees, and keeps Time with
his Fingers, Arms, Legs, _&c._ he raises himself, and dances about six
Hours without Intermission....
When the Musick ceases, the sick Person gives over dancing, and is put
to Bed: The same Air brings him out of Bed for a new Dance, an Exercise
that lasts six or seven Days.——_N. B._ Every sick Person must have his
particular and specific Tune, and always one that is very sprightly and
moving.
The Poison of the _Tarantula_, adds he, thickens the Blood, and stops
several of its Passages; thence the Numbness: The Blood being thick,
furnishes but a small Quantity of animal Spirits, their Canals are
shrunk up in the Brain: The Nerves being destitute of Spirits, relax;
thence proceed the Inactivity, and Defect of Knowledge and Motion: But
the Vibrations of the quick Airs which are play’d, agitate the Blood and
the rest of the animal Spirits, which are soon increased by the
Agitation of the Blood: Being agitated and multiply’d, they run into the
Fibres and Nerves, which being put into _Unison_ with the sonorous
Strings, receive their Vibrations, and are shorten’d or extended
successively; whence proceeds the successive Motion of the Fingers,
Arms, Legs, _&c._[320]
Footnote 320:
_Father Regnault. Phil. Conv. or New System of Physic_, vol. ii.
_Conversation_ xiv. p. 268, -9.
The action of Dancing augments the Agitation of the Blood, and makes the
Patient sweat. The Poison being agitated and attenuated, is exhaled by
Transpiration; in proportion as the Poison is exhaled, the sick Person
perceives himself eased; this Ease continually inclines him to dance:
When all the Poison is dissipated by Agitation and Sweat, the Blood
recovers its Fluidity and usual Course.
I Shall conclude this historical Account, with a Passage taken out of a
_formed History of the Tarantula_[321], writ by a learned Author, who
having described the Disease, proceeds to the manner of Cure, _viz._ The
salivous Poison of that Spider seizes principally on the Nerves and
Muscles––the manner of Cure thus––
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