sacrifice of the individual to society through professional limitations. In the progressive division of labor, while we become more useful as citizens, we seem to lose our completeness as men. The requirements of special study become more exacting, at the same time that the perfect organisation of modern society removes the excitement of adventure and the occasion for independent effort. There is less of human interest to touch us within our calling, and we have less leisure to seek it beyond. Hence it follows that one who has made the most of his profession is apt to feel that he has not attained his full stature as a man; that he has faculties which he can never use, capacities for admiration and affection which can never meet with an adequate object. To this feeling, probably, are mainly due our lamentations over a past age of hero-worship and romance, when action was more decisive and passion a fuller stream. Its alleviation, if not its remedy, is to be found in the newspaper and the novel. Every one indeed must lay in his own experience the foundation of the imaginary world which he rears for himself. There is a primary "virtue which cannot be taught." No man can learn from another the meaning of human activity or the possibilities of human emotion. But this [Greek: pou sto] being given, even the cloistered student may find that, as his soul passes into the strife of social forces and the complication of individual experience, which the newspaper and the novel severally represent, his sympathies break from the bondage of his personal situation and reach to the utmost confines of human life. The personal experience and the fictitious act and react on each other, the personal experience giving reality to the fictitious, the fictitious expansion to the personal. He need no longer envy the man of action and adventure, or sigh for new regions of enterprise. The world is all before him. He may explore its recesses without being disturbed by its passions; and if the end of experience be the knowledge of God's garment, as preliminary to that of God Himself, his eye may be as well trained for the "vision beatific," as if he had himself been an actor in the scenes to which imagination transfers him. B. AN EXPANDER OF SYMPATHIES