An Explanatory Discourse by Tan Chet-qua of Quang-chew-fu, Gent.Chambers, William, Sir
Philosophy
An Explanatory Discourse by Tan Chet-qua of Quang-chew-fu, Gent.
Chambers, William, Sir
Gardens, Chinese -- Early works to 1800; Gardens, English -- Early works to 1800
On some of them are seen gibbets, with wretches hanging in terrorem upon
them; on others, forges, collieries, mines, coal tracts, brick or lime
kilns, glass-works, and different objects of the horrid kind: what
little vegetation they have, is dismal; the animals that feed upon it,
are half-famished to the artist's hands; and the cottagers, with the
huts in which they dwell, want no additional touches, to indicate their
misery: a few uncouth straggling trees, some ruins, caverns, rocks,
torrents, abandoned villages, in part consumed by fire, solitary
hermitages, and other similar objects, artfully introduced and blended
with gloomy plantations, would compleat the aspect of desolation, and
serve to fill the mind, where there was no possibility of gratifying the
senses.
In prosecuting a plan of this extensive nature, many other opportunities
would present themselves to the able artist, of dignifying nature, and
of heightening his compositions with all the force of novelty and
grandeur; stone quarries, chalk pits, mines, might as easily be framed
into vast amphitheatres, rustic arcades and perystiles, extensive
subterraneous habitations, grottos, vaulted roads, and passages, as into
other shapes; hills might, without much difficulty, be transformed into
stupendous rocks, by partial incrustations of stone, judiciously mixed
with turf, fern, wild shrubs and forest trees; gravel pits, or other
similar excavations, might be converted into the most romantic scenery
imaginable, by the addition of some planting, intermixed with ruins,
fragments of sculpture, inscriptions, or any other little
embellishments; and, in short, there would be no deviation, however
trifling, from the usual march of nature, but what would suggest, to a
fruitful imagination, some extraordinary arrangement, something to
disguise her vulgarity, to rouse the attention of the spectator, and to
excite in his mind a succession of strong and opposite sensations.
It is thus that far the noblest part of our Chinese Gardens, and those
which at first sight appear most impracticable, may be obtained even
amongst the common dispositions of English nature; and the great might
thus have pleasure-grounds, extensive and extraordinary as those of the
East, without any very considerable expence: men of less note would
naturally imitate their superiors, by embellishing their possessions in
the same manner; and instead of spending large sums to fence and to lard
a little field with twigs, to give it the name of a Garden, they would
beautify their whole estate; which, by a proper attention to the
[oe]conomical precepts of our Chinese Gardeners, might be done in such a
manner as to encrease its value, as well as improve its appearance.
Public-domain text, read in full here on John Shaqi.
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