In order to see her I used frequently to run down from London to my home
on Saturdays and remain till Mondays. With her mother she sat in her
seat in front of the Rectory pew, and as she walked down the aisle her
face would be illumined by a glad light of welcome. How restful were
those Sundays after the wear and tear of London life! How peaceful the
days in that sleepy little village hidden away in a leafy hollow three
miles from the Great Western line! After we had parted, however, I did
not go home for six months. Then, on inquiry, I found that the Blains
had sold their place, presumably because they were in want of money, for
it was said that they had taken a smaller house facing the Thames, near
Laleham, that village a little beyond Shepperton, where in the
churchyard lies Matthew Arnold. From all accounts old Blain had lost
heavily in speculation and had been compelled to sell his carriages and
horses, dispose of many of his pictures, and even part with some of the
Louis Seize furniture at Shenley Court, where they had lived. This was,
of course, indicative of a very severe reverse of fortune.
Since those hours of Mary's love and her subsequent falseness, my life
had been a queer series of ups and downs, as it must ever be in
journalistic London. Many dreary days of changeful care had come and
gone since then.
I sat silent, thinking, with her letter still open in my hand.
"Why are you so confoundedly glum, old man?" Dick asked. "What's your
screed about? Duns in the offing?"
"No. It's nothing," I answered evasively, smiling.
"Then don't look so down in the mouth," he urged. "Have a peg, and pull
yourself together." He had been in India, and consequently termed a
whisky-and-soda a "peg." The origin of that expression is a little
abstruse, but is supposed to refer pointedly to the pegs in one's
coffin.
I thrust the letter into my pocket, helped myself to a drink, and lit a
cigarette.
"It's a really first-class sensation," Dick said, again referring to the
curious affair. "Pity I can't publish something of it to-morrow. It's
a good thing chucked away."
"Yes," I replied. "But Patterson has some object in imposing secrecy on
us."
"Of course," he answered thoughtfully.
There was a pause. We both smoked on. Not a sound penetrated there
save the solemn ticking of the clock and the distant strains of a piano
in some man's rooms across the square.
"Do you know, Frank," my companion said after some reflection, and
looking at me with a rather curious expression--"do you know that I have
some strange misgivings?"
"Misgivings!" I echoed. "Of what?"
"Well," he said, "did anything strike you as strange in Patterson's
manner?"
"To tell the truth," I answered, "something did. His attitude was
unusual--quite unusual, to-night."
"He's a funny Johnnie. That story of the snake on the pavement--isn't
it rather too strange to be believed?"
Public-domain text, read in full here on John Shaqi.
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