An historical and moral view of the origin and progress of the French Revolution; and the effect it has produced in EuropeWollstonecraft, Mary
Philosophy
An historical and moral view of the origin and progress of the French Revolution; and the effect it has produced in Europe
Wollstonecraft, Mary
France -- History -- Revolution, 1789-1799 -- Causes
And that a civilization founded on reason and morality is, in fact,
taking place in the world, will appear clear to all those, who have
considered the atrocious vices and gigantic crimes, that sullied the
polish of ancient manners. What nobleman, even in the states where they
have the power of life and death, after giving an elegant entertainment,
would now attract the detestation of his company, by ordering a domestic
to be thrown into a pond to fatten the fish.[21]—What tyrant would dare,
at this time, to poison his brother at his own table; or stab his
enemy’s mother, not to mention his own, without colouring over the deed?
and do not the exclamations against boxing matches, in England, also
prove, that the amphitheatre would not now be tolerated, much less
enjoyed? If the punishment of death be not yet abolished, tortures worse
than twenty deaths are exploded, merely by the melioration of manners. A
human being is not now forced to feed the lamp that consumes him; or
allowed vainly to call for death, whilst the flesh is pinched off his
quivering limbs. Are not, likewise, many of the vices, that formerly
braved the face of day, now obliged to lurk, like beasts of prey, in
concealment, till night allows them to roam at large. And the odium
which now forces several vices, that then passed as merely the play of
the imagination, to hide their heads, may chase them out of society,
when justice is common to all, and riches no longer stand in the place
of sense and virtue. Granting then to the ancients that savage grandeur
of imagination, which, clashing with humanity, does not exclude
tenderness of heart, we should guard against paying that homage to
sentiment, only due to principles formed by reason.
Their tragedies, this is still but a cultivation of the passions and the
taste, have been celebrated and imitated servilely; yet, touching the
heart, they corrupted it; for many of the fictions, that produced the
most striking stage effect, were absolutely immoral. The sublime
terrour, with which they fill the mind, may amuse, nay, delight; but
whence comes the improvement? Besides, uncultivated minds are the most
subject to feel astonishment, which is often only another name for
sublime sensations. What moral lesson, for example, can be drawn from
the story of Oedipus, the favourite subject of such a number of
tragedies?—The gods impel him on, and, led imperiously by blind fate,
though perfectly innocent, he is fearfully punished, with all his
hapless race, for a crime in which his will had no part.
Public-domain text, read in full here on John Shaqi.
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