An historical and moral view of the origin and progress of the French Revolution; and the effect it has produced in EuropeWollstonecraft, Mary
Philosophy
An historical and moral view of the origin and progress of the French Revolution; and the effect it has produced in Europe
Wollstonecraft, Mary
France -- History -- Revolution, 1789-1799 -- Causes
Unfortunately, almost every thing human, however beautiful or splendid
the superstructure, has, hitherto, been built on the vile foundation of
selfishness; virtue has been the watch-word, patriotism the trumpet, and
glory the banner of enterprize; but pay and plunder have been the real
motives. I do not mean to assert, that there were not any real patriots
in the assembly.—I know there were many. By real patriots, I mean men
who have studied politics, and whose ideas and opinions on the subject
are reduced to principles; men who make that science so much their
principal object, as to be willing to give up time, personal safety, and
whatever society comprehends in the phrase, _personal interest_, to
secure the adoption of their plans of reform, and the diffusion of
knowledge.
But most of the leaders of the national assembly were guided by the
vulgar import of the word, a vain desire of applause, or deep schemes of
emolument. The Lameths, for instance, who had been the obsequious slaves
of the queen, were among the hottest advocates for popular power; and
throughout the assembly there were traces of a similar spirit.
During the first struggle, the national assembly and the people were
divided into republicans and royalists; but we shall find, from the
moment all danger of disturbance appeared to be over, the higher class
were receding from the patriots, and recruiting from the royalists, to
form for themselves, under the appellation of the _impartiaux_, the
elements of a growing aristocracy.
CHAPTER III.
REFLECTIONS ON THE MEMBERS OF THE NATIONAL ASSEMBLY. SECESSION OF
SEVERAL PSEUDO-PATRIOTS. SOCIETY RIPE FOR IMPROVEMENT THROUGHOUT EUROPE.
WAR NATURAL TO MEN IN A SAVAGE STATE. REMARKS ON THE ORIGIN AND PROGRESS
OF SOCIETY. THE ARTS—PROPERTY—INEQUALITY OF CONDITIONS—WAR. PICTURE OF
MANNERS IN MODERN FRANCE.
Public-domain text, read in full here on John Shaqi.
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