An Historical Mystery (The Gondreville Mystery)Balzac, Honoré de
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An Historical Mystery (The Gondreville Mystery)
Balzac, Honoré de
Detective and mystery stories; French fiction -- Translations into English; Historical fiction
The other man, whose dress was in the same style, but elegant and
elegantly put on and careful in its smallest detail, wore boots _a la_
Suwaroff which came high upon the leg above a pair of tight trousers,
and creaked as he walked. Above his coat he wore a spencer, an
aristocratic garment adopted by the Clichiens and the young bloods of
Paris, which survived both the Clichiens and the fashionable youths. In
those days fashions sometimes lasted longer than parties,--a symptom of
anarchy which the year of our Lord 1830 has again presented to us. This
accomplished dandy seemed to be thirty years of age. His manners were
those of good society; he wore jewels of value; the collar of his shirt
came to the tops of his ears. His conceited and even impertinent air
betrayed a consciousness of hidden superiority. His pallid face seemed
bloodless, his thin flat nose had the sardonic expression which we see
in a death’s head, and his green eyes were inscrutable; their glance was
discreet in meaning just as the thin closed mouth was discreet in words.
The first man seemed on the whole a good fellow compared with this
younger man, who was slashing the air with a cane, the top of which,
made of gold, glittered in the sunshine. The first man might have cut
off a head with his own hand, but the second was capable of entangling
innocence, virtue, and beauty in the nets of calumny and intrigue, and
then poisoning them or drowning them. The rubicund stranger would have
comforted his victim with a jest; the other was incapable of a smile.
The first was forty-five years old, and he loved, undoubtedly, both
women and good cheer. Such men have passions which keep them slaves
to their calling. But the young man was plainly without passions and
without vices. If he was a spy he belonged to diplomacy, and did such
work from a pure love of art. He conceived, the other executed; he was
the idea, the other was the form.
“This must be Gondreville, is it not, my good woman?” said the young
man.
“We don’t say ‘my good woman’ here,” said Michu. “We are still simple
enough to say ‘citizen’ and ‘citizeness’ in these parts.”
“Ah!” exclaimed the young man, in a natural way, and without seeming at
all annoyed.
Players of ecarte often have a sense of inward disaster when some
unknown person sits down at the same table with them, whose manners,
look, voice, and method of shuffling the cards, all, to their fancy,
foretell defeat. The instant Michu looked at the young man he felt an
inward and prophetic collapse. He was struck by a fatal presentiment; he
had a sudden confused foreboding of the scaffold. A voice told him that
that dandy would destroy him, although there was nothing whatever in
common between them. For this reason his answer was rude; he was and he
wished to be forbidding.
“Don’t you belong to the Councillor of State, Malin?” said the younger
man.
“I am my own master,” answered Malin.
Public-domain text, read in full here on John Shaqi.
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