In obedience to which act, the fine piece of architecture, called The Monument, was erected, at the expense of fourteen thousand five hundred pounds; it is the design of the great Sir Christopher Wren, and undoubtedly the finest modern column in the world, and in some respects may vie with the most famous of antiquity, being twenty-four feet higher than Trajan's pillar at Rome. It is of the Doric order, fluted; its altitude, two hundred and two feet from the ground; greatest diameter of the body fifteen feet; the ground bounded by the plinth or lower part of the pedestal, twenty-eight feet square; and the pedestal is in altitude forty feet; all of Portland stone. Within, is a large staircase of black marble, containing three hundred and forty-five steps, ten inches and a half broad, and six inches risers; a balcony within thirty-two feet from the top, whereon is a spacious and curious gilded flame, very suitable to the intent of the whole column. On the front or west side of the die of the pedestal of this magnificent column is finely carved a curious emblem of this tragical scene, by the masterly hand of Mr. Gabriel Cibber. The eleven principal figures are in alto, the rest in basso relievo. At the north end of the plain the city is represented in flames, and the inhabitants in consternation, their arms extended upward, crying for succour. A little nearer the horizon, the arms, cap of maintenance, and other ensigns of the city's grandeur, partly buried under the ruins. On the ruins, lies the figure of a woman crowned with a castle, her breasts pregnant, and in her hand a sword; representing the strong, plentiful, and well-governed city of London in distress. The king is represented on a place ascended to by three steps, providing by his power and prudence for the comfort of his citizens and ornament of his city. On the steps stand three women: 1. Liberty, having in her right hand a hat, wherein the word Liberty, denoting the freedom or liberty given those who engaged three years in the work. 2. Ichnographia, with rule and compasses in one hand, and a scroll in the other; near her, the emblem of Industry, a beehive. 3. Imagination, holding the emblem of Invention. All which intimate, that the speedy re-erection of the city was principally owing to liberty, imagination, contrivance, art, and industry. There is the figure of time raising the woman in distress, and Providence with a winged hand containing an eye, promising peace and plenty, by pointing to those two figures in the clouds. Behind the king, the work is going forward. Under the king's feet appears Envy enraged at the prospect of success, and blowing flames out of his mouth. The figure of a lion, with one fore-foot tied up, and the muzzle of a cannon, denote this deplorable misfortune to have happened in time of war; and Mars, with a chaplet in his hand, is an emblem of approaching peace. Round the cornice are noble enrichments of trophy work, sword, the king's arms, cap of