April Fools' Day -- Fiction; Humorous stories; Love stories
Charming as Nette had appeared in her simple walking dress, Antony
was utterly unprepared for the picture she now presented. In the
absurd and yet wonderfully effective setting of the brown, budding
trees, the broken and forbidding rocks, against the dull background
of the dingy, decaying hut, her soft, pale tints of hat and gown
gleamed like some one of the perfumed daintinesses Watteau traced
upon his tricksy, tempting court fans. The whole costume, from the
sweeping cavalier feather to the saucy, buckled slippers, recalled
subtly that delightful pretense at Arcadia, that amusing pastoral
figuring and posturing that broke under a sigh too ardent, a
pressure too fiery, into the scented powder puff and the satin
stays. One looked for a spinet, garlanded with golden cupids, for a
white lamb smelling like Araby the blest, for a wreathed crook with
a tiny mirror artfully set in its curve. To gaze upon that
diabolically contrived simplicity was to produce in the susceptible
breast, and most particularly in the susceptible masculine
breast, an odd tumult of sensations too conflicting in their nature
for description.
Nette's hair ran vine-like under the melting, tender-coloured
plume; her skin glowed softly rosy, and two faint violet shadows
under her brilliant eyes toned sweetly with the colours of her
misleading gown. Around her neck on a slender golden chain was hung
a singularly perfect fresh-water pearl, large, with shifting
colours, utterly unadorned by any jeweller's fancies; an odd and
very elegant bauble that caught Antony's eye instantly.
"Mademoiselle," he began, "you are--you are----" he paused, for
genuine lack of words. "You are absurdly charming," he concluded,
not altogether lamely, after all, and she swept him a graceful
courtesy, her long, pale sash-ends floating out against the rough
bark behind her. Nor was Master Antony displeased at the
satisfaction at his appearance which he surprised in her eyes.
Intrinsically inartistic indeed is the garb of our modern male, and
yet to our accustomed eye there is a fine air of fitness, a grave
elegance, in his sombre bifurcation; an ordered poetry in his
candid vest, his lustrous neck scarf; a twinkling luxuriousness
in his polished and costly footwear. All this appeared to
perfection in Antony's dignified figure, just sufficiently above
the middle height to allow of his being called tall.
"The sleeves," he informed her, "are a little short and I am not
sure that I have not stretched the shoulder seams a little, but the
shoes are exactly my own size. The underwear," he added absently,
"was silk. Apricot colour----"
"My shoes," she began hastily, "are too large, but I think I can
keep them on. The skirt is too long, of course, but I can hold it
up. The hat," she concluded, with softened eyes, "I should like to
be buried in."
Public-domain text, read in full here on John Shaqi.
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