The criterion of vividness will not, therefore, always serve to distinguish between what is given in the sense and what is only imagined. And, indeed, it becomes evident, upon reflection, that we do not actually make it our ultimate test. We may be quite willing to admit that faint sensations may come to be confused with what is imagined, with "ideas," but we always regard such a confusion as somebody's error. We are not ready to admit that things perceived faintly are things imagined, or that vivid "ideas" are things perceived by sense. Let us come back to the illustrations with which we started. How do I know that I perceive the desk before me; and how do I know that, sitting here, I imagine, and do not see, the front door of the house? My criterion is this: when I have the experience I call "seeing my desk," the bit of experience which presents itself as my desk is in a certain setting. That is to say, the desk seen must be in a certain relation to my body, and this body, as I know it, also consists of experiences. Thus, if I am to know that I see the desk, I must realize that my eyes are open, that the object is in front of me and not behind me, etc. The desk as seen varies with the relation to the body in certain ways that we regard as natural and explicable. When I am near it, the visual experience is not just what it is when I recede from it. But how can I know that I am near the desk or far from it? What do these expressions mean? Their full meaning will become clearer in the next chapter, but here I may say that nearness and remoteness must be measured for me in experiences of some sort, or I would never know anything as near to or far from my body. Thus, all our sensory experiences are experiences that fall into a certain system or order. It is a system which we all recognize implicitly, for we all reject as merely imaginary those experiences which lack this setting. If my eyes are shut--I am speaking now of the eyes as experienced, as felt or perceived, as given in sensation--I never say; "I see my desk," no matter how vivid the image of the object. Those who believe in "second sight" sometimes talk of seeing things not in this setting, but the very name they give to the supposed experience indicates that there is something abnormal about it. No one thinks it remarkable that I see the desk before which I perceive myself to be sitting with open eyes. Every one would think it strange if I could see and describe the table in the next room, now shut away from me. When a man thinks he hears his name pronounced, and, turning his head, seeks in vain for the speaker, he sets his experience down as a hallucination. He says, I did not really hear that; I merely imagined it.