+Three Predecessors of Shakespeare+.--The development of the English drama from the first attempts at comedy, tragedy, and history was extremely rapid. When Shakespeare came to London, he found there dramatists who were far on the road toward mastery of dramatic form, and who were putting into that form both great poetry and a profound knowledge of human nature. A complete list of these dramatists would include a number of names which have a permanent place in the history of English literature, such as those of Thomas Lodge, Thomas Nash, George Peele, and Robert Greene. Among these names three deserve especial prominence, not only because of the great achievements of these men, but because of their influence on Shakespeare. These men were Marlowe, Kyd, and Lyly. It was Christopher Marlowe (1564-1593) who first gave to English blank verse those qualities which make it an extraordinarily perfect medium of expression. Before him, blank verse had no advantages to offer in compensation for the abandonment of rime. It was stiff, monotonous, and cold. Marlowe began to vary the position of the pauses within the line, and to do away with the pause at the end of some lines by {32} placing the breaks in thought elsewhere. Thus he gave to his verse ease, flexibility, and movement, and he put into it the warmth and vividness of his own personality. Upon such verse as this Shakespeare could hardly improve. But this by no means sums up his debt to Marlowe. His characterization of Richard III, for instance, was distinctly affected by that of Marlowe's hero Tamburlaine, a character to which the poet had given a passionate life and an energy that made him more than human. In other ways less easy to define, Shakespeare must have been stimulated by Marlowe's fire. The latter's greatest tragedies, _Tamburlaine_, _Dr. Faustus_, and _Edward II_, contain poetry so beautiful, feeling so intense, and a promise of future achievement so remarkable, that his early death may fairly be said to have deprived English literature of a genius worthy of comparison with that of Shakespeare himself. Although Thomas Kyd (1558-1594) was far from the equal of Marlowe, he was a playwright of real ability and one whose tragedies were unusually popular. Influenced greatly by Seneca, he brought to its climax the 'tragedy of blood'--a type of drama in which ungovernable passions of lust and revenge lead to atrocious crimes and end in gruesome and appalling murders. His famous _Spanish Tragedy_ was the forerunner of many similar plays, of which _Titus Andronicus_ was one. He probably wrote the original play of _Hamlet_, which was elevated by Shakespeare out of its atmosphere of blood and horror into the highest realms of thought and poetry.