+Settings and Costumes+.--In order to understand the way in which this stage was utilized, the student must dismiss from his mind two widespread errors. The Elizabethan stage was by no means a bare, unfurnished platform, nor did the managers substitute for a setting placards reading "This is a Forest," or "This is a Bedroom." The difference between that age and this is not one between no settings and good ones; it is even possible to doubt whether Shakespeare's plays were not put on more effectively then than in most of our modern theaters. The difference is one of principle, and even this difference may easily be exaggerated. When we say that Elizabethan stagings were 'symbolic,' whereas ours are pictorial, we mean that on the former the presence of a few selected objects suggested to the mind of the spectator all the others which go to make up the kind of scene presented. When a few trees were placed upon the stage, the audience supplied in {43} imagination the other objects that belong in a forest; when a throne was there, they saw with the mind's eye a room of state in a palace. But our modern stage also demands the help of the imagination. It is very far from presenting a completely realistic picture. We see three sides of a room and accept the room as complete, although none of us live in rooms which lack a side. We see a great cathedral painted on a back drop, and are hardly disturbed by the fact that an actor standing near it is twice as high as one of the doors. The difference between the two stages really simmers down to this: our symbols are of painted canvas, the Elizabethans' were of another sort. It is extremely unlikely that the Elizabethans used painted scenes in their public theaters. If they ever did, such 'painted cloths' were of the simplest sort, and not pictures painted in perspective. Instead, they relied for their effects upon solid properties--sometimes quite elaborate ones--such as trees, tombs, wells, beds, thrones, etc. These, as has been said, were usually set on the rear stage, although some of them, such as couches and banquet tables, were occasionally brought forward during the course of a scene.