Anne Hathaway, as we have said, was eight years older than her husband. She was the daughter of a small farmer at Shottery, a little out of Stratford, whose house is still an object of pilgrimage for Shakespeare lovers. We have really no just ground for inferring, from the poet's early departure for London, that his married life was unhappy. The Duke in _Twelfth Night_ (IV, iii) advises Viola against women's marrying men younger than themselves, it is true; but such advice is conventional. No one can tell how much the dramatist really felt of the thoughts which his characters utter. Who would guess from any words in _I Henry IV_, for instance, a play containing some of his richest humor and freest joy in life, that, in the very year of its composition, Shakespeare was mourning the death of his little son Hamnet, and that his hopes of founding a family were at an end? Another piece of evidence, far more important, is the fact that Shakespeare does not mention his wife at all in his will, except by an interlined bequest of his "second-best bedroom set." But here, again, it is easy to misread the motives of the man who makes a will. Such omissions have been made when no slight was intended, sometimes because of previous private settlements, sometimes because a wife is always entitled to her dower rights. The evidence is thus too slight to be of value. Some other motive, then, than unhappiness in married life ought to be assigned for Shakespeare's departure to London. No doubt, the fact that his father was now a discredited bankrupt, against whom suits were pending, had something to do with his {7} decision to better his family fortunes in another town. Traveling companies of players may have told him of London life. Possibly some scrape, like that preserved in the deer-stealing tradition and the resultant persecution, made the young man, now only twenty-one, restive and eager to be gone.