An Introduction to the History of Western EuropeRobinson, James Harvey
History
An Introduction to the History of Western Europe
Robinson, James Harvey
Europe -- History
No more councils were held during the fifteenth century, and the popes
were left to the task of reorganizing their dominions in Italy. They
began to turn their attention very largely to their interests as Italian
princes, and some of them, beginning with Nicholas V (1447-1455), became
the patrons of artists and men of letters. There is probably no period
in the history of the papacy when the head of the Church was more
completely absorbed in forwarding his political interests and those of
his relatives, and in decorating his capital, than in the seventy years
which elapsed between 1450 and the beginning of the German revolt
against the Church.
General Reading.--CREIGHTON, _History of the Papacy_ (Longmans,
Green & Co., 6 vols., $2.00 each), Vol. I, is perhaps the best
treatment of the Great Schism and the Council of Constance. PASTOR,
_History of the Popes_ (Herder, 6 vols., $18.00), Vol. I, Book 1,
gives the most recent and scholarly account from the standpoint of
a Roman Catholic.
CHAPTER XXII
THE ITALIAN CITIES AND THE RENAISSANCE
[Sidenote: Italy the center of European culture in the fourteenth and
fifteenth centuries.]
117. While England and France were settling their differences in the
wretched period of the Hundred Years' War, and the little German
principalities, left without a leader,[212] were busied with their petty
concerns, Italy was the center of European culture. Its
cities,--Florence, Venice, Milan, and the rest,--reached a degree of
prosperity and refinement undreamed of beyond the Alps. Within their
walls learning and art made such extraordinary progress that this period
has received a special name,--the _Renaissance_,[213] or new birth. The
Italian towns, like those of ancient Greece, were really little states,
each with its own peculiar life and institutions. Of these city-states a
word must be said before considering the new enthusiasm for the works of
the Romans and Greeks and the increasing skill which the Italian artists
displayed in painting, sculpture, and architecture.
[Sidenote: Map of Italy in the fourteenth century.]
The map of Italy at the beginning of the fourteenth century was still
divided into three zones, as it had been in the time of the
Hohenstaufens. To the south lay the kingdom of Naples. Then came the
states of the Church, extending diagonally across the peninsula. To the
north and west lay the group of city-states to which we now turn our
attention.
[Sidenote: Venice and its relations with the East.]
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