-- * “The agitation, the frenzy, the sorrow of the times, reacted upon the human intellect, and FORCED men into meditation. Their own nature was held up before them in a sterner form. They were compelled to contemplate an ideal of man, far more colossal than is brought forward in the tranquil aspects of society; and they were often engaged, whether they would or not, with the elementary problems of social philosophy. Mere danger forced a man into thoughts which else were foreign to his habits. Mere necessity of action forced him to decide.” --Thomas De Quincey’s ‘Essay on Style’. -- Wordsworth exhibited in his poetry, as they had never before been exhibited, the permanent absolute relations of nature to the human spirit, interpreted the relations between the elemental powers of creation and the moral life of man, and vindicated the inalienable birthright of the lowliest of men to those inward “oracles of vital deity attesting the Hereafter.” Wordsworth’s poetry is, in fact, so far as it bears upon the natural world, a protest against the association theory of beauty of the eighteenth century--a theory which was an offshoot of the philosophy of Locke, well characterized by Macvicar, in his ‘Philosophy of the Beautiful’ (Introd., pp. xv., xvi), as “an ingenious hypothesis for the close of the eighteenth century, when the philosophy then popular did not admit, as the ground of any knowledge, anything higher than self-repetition and the transformation of sensations.”