. . . The fullest effluence of the finest mind,
All in degree, no way diverse in kind
From minds above it, minds which, more or less
Lofty or low, move seeking to impress
Themselves on somewhat; but one mind has climbed
Step after step, by just ascent sublimed.
Thought is the soul of act, and, stage by stage,
Is soul from body still to disengage,
As tending to a freedom which rejects
Such help, and incorporeally affects
The world, producing deeds but not by deeds,
Swaying, in others, frames itself exceeds,
Assigning them the simpler tasks it used
To patiently perform till Song produced
Acts, by thoughts only, for the mind: divest
Mind of e’en Thought, and, lo, God’s unexpressed
Will dawns above us!” (‘Sordello’.)
A dangerous tendency of civilization is that towards crystallization--
towards hardened, inflexible conventionalisms which “refuse the soul
its way”.
Such crystallization, such conventionalisms, yield only to
the dissolving power of the spiritual warmth of life-full personalities.
The quickening, regenerating power of personality is everywhere
exhibited in Browning’s poetry. It is emphasized in ‘Luria’,
and in the Monologues of the Canon Caponsacchi and Pompilia,
in the ‘Ring and the Book’; it shines out, or glints forth,
in ‘Colombe’s Birthday’, in ‘Saul’, in ‘Sordello’, and in all
the Love poems. I would say, en passant, that Love
is always treated by Browning as a SPIRITUAL claim;
while DUTY may be only a worldly one. SEE especially the poem
entitled ‘Bifurcation’. In ‘Balaustion’s Adventure:
including a transcipt from Euripides’, the regenerating power
of personality may be said to be the leavening idea, which the poet
has introduced into the Greek play. It is entirely absent
in the original. It baptizes, so to speak, the Greek play,
and converts it into a Christian poem. It is the “new truth”
of the poet’s ‘Christmas Eve’.
After the mourning friends have spoken their words of consolation
to the bereaved husband, the last word being, “Dead, thy wife--
living, the love she left”, Admetos “turned on the comfort,
with no tears, this time. HE WAS BEGINNING TO BE LIKE HIS WIFE.
I told you of that pressure to the point, word slow pursuing word
in monotone, Alkestis spoke with; so Admetos, now, solemnly bore
the burden of the truth. And as the voice of him grew,
gathered strength, and groaned on, and persisted to the end,
we felt how deep had been descent in grief, and WITH WHAT CHANGE
HE CAME UP NOW TO LIGHT, and left behind such littleness as tears.”
Public-domain text, read in full here on John Shaqi.
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