An Irish precursor of Dante : $b a study on the Vision of Heaven and Hell ascribed to the eighth-century Irish saint Adamnán, with translation of the Irish text — John Shaqi
An Irish precursor of Dante : $b a study on the Vision of Heaven and Hell ascribed to the eighth-century Irish saint Adamnán, with translation of the Irish textBoswell, Charles Stuart
Philosophy
An Irish precursor of Dante : $b a study on the Vision of Heaven and Hell ascribed to the eighth-century Irish saint Adamnán, with translation of the Irish text
Boswell, Charles Stuart
Christian literature, Irish -- History and criticism; Christian saints -- Ireland; Civilization, Celtic, in literature; Dante Alighieri, 1265-1321 -- Criticism and interpretation; Fís Adamnáin; Heaven -- Christianity -- History of doctrines -- Middle Ages, 600-1500; Heaven in literature; Hell -- Chr
5. For one spell, then, the saints keep singing marvellous music in
praise of God; for another, they are listening to the music of the
heavenly host; for the saints have no other need than to listen to the
music that they hear, and to contemplate the radiance that they see,
and to sate themselves with the fragrance that there is in that land.
The wonderful Lord is face to face with them, in the South-east,[10]
and a crystal veil between; to the South is a golden portico, and
through it they discern the form and adumbration of the people of
Heaven. No veil, however, nor cloud is between the Host of Heaven and
the Host of the Saints, but those are ever manifest and present unto
these, in a place that is over against them. A circle of fire surrounds
this place, yet do they all pass in and out, and it does scathe to
none.
6. Now, the Twelve Apostles and Mary the pure Virgin form a band
apart, about the mighty Lord. Next to the Apostles are the Patriarchs
and Prophets, and the disciples of Jesus. On the other side are holy
Virgins, at Mary’s right hand, and with no great space between. Babes
and striplings are about them on every side, and the bird-choirs of the
heavenly folk, making their minstrelsy. And amid these companies, bands
of angels, guardians of the souls, do perpetual suit and service in the
Royal presence. No man is there in this present life who may describe
those assemblies, or who may tell of the very manner of them. And the
bands and companies which are in the land of saints abide continually
in even such great glory as aforesaid, until the great Parliament[11]
of Doom, when the righteous Judge, on the Day of Judgment, shall
dispose them in their stations and abiding places, where they shall
contemplate God’s countenance, with no veil nor shadow between, through
ages everlasting.
7. But great and vast as are the splendour and the radiance in the
Land of Saints, even as hath been said, more vast, a thousand times,
the splendour which is in the region of the Heavenly Host, about the
Lord’s own throne. This throne is fashioned like unto a canopied
chair,[12] and beneath it are four columns of precious stone. Though
one should have no minstrelsy at all, save the harmonious music of
those four columns, yet would he have his fill of melody and delight.
Three stately birds are perched upon that chair, in front of the King,
their minds intent upon the Creator throughout all ages, for that is
their vocation. They celebrate the eight [canonical] hours, praising
and adoring the Lord, and the Archangels accompany them. For the birds
and the Archangels lead the music, and then the Heavenly Host, with the
Saints and Virgins, make response.
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