Prisoners -- Fiction; Short stories; United States -- History -- Civil War, 1861-1865 -- Fiction
The man who was engaged in being hanged was apparently about
thirty-five years of age. He was a civilian, if one might judge from
his habit, which was that of a planter. His features were good—a
straight nose, firm mouth, broad forehead, from which his long, dark
hair was combed straight back, falling behind his ears to the collar of
his well fitting frock coat. He wore a moustache and pointed beard, but
no whiskers; his eyes were large and dark gray, and had a kindly
expression which one would hardly have expected in one whose neck was
in the hemp. Evidently this was no vulgar assassin. The liberal
military code makes provision for hanging many kinds of persons, and
gentlemen are not excluded.
The preparations being complete, the two private soldiers stepped aside
and each drew away the plank upon which he had been standing. The
sergeant turned to the captain, saluted and placed himself immediately
behind that officer, who in turn moved apart one pace. These movements
left the condemned man and the sergeant standing on the two ends of the
same plank, which spanned three of the cross-ties of the bridge. The
end upon which the civilian stood almost, but not quite, reached a
fourth. This plank had been held in place by the weight of the captain;
it was now held by that of the sergeant. At a signal from the former
the latter would step aside, the plank would tilt and the condemned man
go down between two ties. The arrangement commended itself to his
judgement as simple and effective. His face had not been covered nor
his eyes bandaged. He looked a moment at his “unsteadfast footing,”
then let his gaze wander to the swirling water of the stream racing
madly beneath his feet. A piece of dancing driftwood caught his
attention and his eyes followed it down the current. How slowly it
appeared to move! What a sluggish stream!
He closed his eyes in order to fix his last thoughts upon his wife and
children. The water, touched to gold by the early sun, the brooding
mists under the banks at some distance down the stream, the fort, the
soldiers, the piece of drift—all had distracted him. And now he became
conscious of a new disturbance. Striking through the thought of his
dear ones was sound which he could neither ignore nor understand, a
sharp, distinct, metallic percussion like the stroke of a blacksmith’s
hammer upon the anvil; it had the same ringing quality. He wondered
what it was, and whether immeasurably distant or near by— it seemed
both. Its recurrence was regular, but as slow as the tolling of a death
knell. He awaited each new stroke with impatience and—he knew not
why—apprehension. The intervals of silence grew progressively longer;
the delays became maddening. With their greater infrequency the sounds
increased in strength and sharpness. They hurt his ear like the thrust
of a knife; he feared he would shriek. What he heard was the ticking of
his watch.
Public-domain text, read in full here on John Shaqi.
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