breakfast in orthodox fashion--in the secrecy and sullen silence of
their own homes. And the salient feature of the people in this
upstairs room is the inexorable isolation of their souls. No one
speaks. One or two look up from their food as the author makes his way
to the window from which he commands a glimpse of blue sky, the
elevation of an enormous brick wall, and possibly a locomotive having
its firebox cleaned on a siding and panting as though afflicted with
lung trouble. He takes his seat not far from a young woman who is
breakfasting on a bun and a glass of milk. She is reading a book, a
fat novel in fine print, the covers soiled with food and the corners
grimy with years of friction. She is there every morning eating a bun
and drinking a glass of milk. She has a clear, delicate face, blonde
hair, and large black eyes. Her hands are fine, too, though they might
be better kept. One suspects she does her own washing after she gets
home at night.
The reader may possibly wonder why the author should lower himself in
the esteem of men by dilating upon the appearance of a stray young
woman whom fate had washed up on the shores of time near him and whom
the next wave would inevitably bear away again. But the reader must
exercise a little patience. Several women appear in this preface, and
the author imagines they may reveal to the reader something of the
mentality which wrote this book. A mentality somewhat alien to the
English, since it was profoundly interested in women without incurring
any suspicion of French naughtiness, or endeavouring in any way to
make itself pleasing to them. A mentality hampered by an almost
hysterical shyness which, however, was capable of swift and complete
evaporation in certain circumstances.
Public-domain text, read in full here on John Shaqi.
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