Cellini, too, draws me as regularly and irresistibly as the moon makes
our tides. Here is richness. The breathless impetuosity of the whole
narrative, the inconceivable truculence of the man, fascinates me,
who am so different. When I looked at that "Perseus" in Florence, when
I leaned over the medal-cases in South Kensington and stared hard at
the work of his murderous hands, I felt awed and baffled. How could he
do it--he with his dagger just withdrawn from some rival's shoulders,
his fingers just unclasped from some enemy's windpipe? Then, again,
the virile cheerfulness of the man! God is ever on his side, Justice
is his guardian angel. And while musing upon him some few days back, I
fell to wondering if I might not imitate him. I mean, why could not I
take the life of some such man (and I know one at least who could sit
for the portrait), and write a fictitious autobiography in that
truculent, bombastic, interesting style? I have the material, and I
believe I could do it. What do you think, old friend? It is already
one of my plans for the future, when I am done wandering.
That last word reminds me of my Borrow. Who can describe the
bewildering delight when one first plunges into "Lavengro" and the
"Romany Rye"? To take them from the book-case and carry them out to
Barnet, where the Kingmaker fell, and read with the wind in your face
and the Great North Road before your eyes--is that too much to ask of
mine ancient Londoner? Believe me, the thing is worth doing. No man
ever put so divine an optimism into his books, so genuine a love of
"nature." Says Mr. Petulengro: "There's night and day, brother, both
sweet things; sun, moon, and stars, brother, all sweet things; there's
likewise the wind on the heath. Life is very sweet, brother; who would
wish to die?"
One of the most precious memories of my younger manhood is brought
back to me as I write those words. It was a Sunday afternoon in late
autumn, in one of those unfrequented ways which slant off from the
Great North Road beyond Hadley Heath, where the green turf bordered
the brown road and the leaves covered the earth beneath the trees with
a carpet of flaming cloth-of-gold. I had left my book and bicycle to
one side, and, seated upon a low grey stone wall, I watched the sun go
down. Behind me, across the intervening meadows, rose clouds of dust,
redolent of waste gases, where thundered an ever-increasing traffic of
swift vehicles. In front a vaporous mist was rising from the land; the
shadows broadened, and the red western glow grew deeper, while in the
middle distance a tiny child, clad in green cloak and little red hood,
stood conning her Sunday story--a jewel of quiet colour in the
gathering autumn twilight. And so, as I listened to the roar from the
macadamed highway and looked out upon that evening glory, it was as
though I heard, far off, the throbbing pulse of the great world's
mighty hand, while I sat still in the heart of it.
Public-domain text, read in full here on John Shaqi.
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